Recording Tip 33: What Goes On Behind Closed Doors
5/1/2012 10:16:00 PM
Recording Tip 33: I’ll often listen to a mix playback outside of the control room….mostly with the door closed.
This is a tip is another of those happy accidents. I was working on a mix one day when a client arrived to hear what I’d done. As he sat in my chair to hear the mix, I hit play and then stepped outside the control room to grab a drink. As the door closed, I decided to remain outside, mostly so he’d listen to the entire mix before picking it apart (The minutia this guy would tweak is legendary in this town). But while outside the closed door, I began to hear the mix differently. I began to hear a number of things that, no matter his impending novella of comments, I desperately wanted to fix as well. (Yes, I’d given him a legal pad to write on. It's something one should always do...and always make your clients listen to the whole mix before commenting.)
After the playback finished, I came back in and we went about our changes. But this closed door listen was a good lesson and I was amazed at what I heard listening from there.
Since then, I’ve continued to listen that way on a regular basis. This is a bit related to Tip 32, regarding monitoring with my small monitors off to the side. You can hear a lot when your head isn’t stuck between the speakers. And there’s something else that happens when the door closes: The acoustic filtering of the door and walls allow me to hear balances that I don’t hear when inside the room. I read that George Massenburg would listen to mixes outside the room with the door open; I tried that as well, but I find it better with the door closed
So now, even before the clients arrive, I’ll grab my own legal pad and listen to the mix outside the closed door. I found it especially good for vocal levels, as well as, oddly enough, to hear if the bottom end is right. It’s now a secondary listening spot. The third, of course, is my car (I’m working on a way to mix from there!).
David Schober is an
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