| | ARTIST/BRAND/ALBUM | LABEL | PERSONAL EQUIPMENT |
|
SHELEA FRAZIER LOVE FELL ON ME
|
LS ENTERTAINMENT
|
Produced by: Shelea Frazier, Tony Shepperd Engineered by: Tony Shepperd Studios: TonySound (Van Nuys, CA) Equipment Notes: Digidesign Control 24, Pete’s Place Audio Mark VIII; Digidesign Pro Tools HD
|
|
LE KAT BOUDOIR ROUGE
|
LE KAT MEOW
|
Produced by: William Tabanou, Le Kat, Aaron Kaplan, Joe Milton, Alex Xenophan Engineered by: William Tabanou, Aaron Kaplan, Will Sandals, Studios: Tab Sound Design (Studio City, CA) Equipment Notes: Digidesign Control 24; Digidesign Pro Tools HD2; API 512C, Universal Audio LA-610 MkII preamps; Blue Sky Sat 6.5 studio monitors
|
|
MIGHTY TIGER WESTERN THEATER
|
PAPER GARDEN
|
Produced by: Andrew Eckes, Matt Bayles Engineered by: Andrew Eckes, Matt Bayles Studios: Eckes home studio; Red Room Seattle Equipment Notes: (Red Room Seattle) Trident 80 console with Diskmix automation; Digidesign Pro Tools HD3 Accel; Genelec 1031A studio monitors
|
|
SARAH JAFFE SUBURBAN NATURE
|
KIRTLAND
|
Produced by: John Congleton Engineered by: John Congleton Studios: Elmwood Funeral Home, The Track Studio (Dallas, TX) Mastered by: Alan Douches Equipment Notes: (Track Studio) Neotek Elite 32x26x72 console; Digidesign Pro Tools HD3; KEF 103.2, ADAM S5A studio monitors
|
|
RIVER CITY EXTENSION THE UNMISTAKABLE MAN
|
XOXO
|
Produced by: Eric Sanderson, Joe Michelini, Pat Noon Engineered by: Pat Noon Studios: Eight 16 Recording (Toms River, NJ); Canon Found Soundation (Union City, NJ); Lakehouse Recording (Interlaken, NJ) Mastered by: Alan Douches at West West Side Equipment Notes: (Eight 16) Avalon AD2022 mic pre; Empirical Labs Distressor, Chameleon Labs 7602 EQ; Digidesign Pro Tools; Lawson L47; Apogee Rosetta 200 AD; KRK V8 studio monitors
|
|
THE BIGGER LIGHTS THE BIGGER LIGHTS
|
DOGHOUSE
|
Produced by: Paul Barber Engineered by: Paul Barber, Tony Alany, Jeff Juliano Studios: Sucker Punch Recording Company (Bethesda, MD) Mastered by: Dave McNair at Sterling Sound Equipment Notes: Digidesign Pro Tools; Empirical Labs Distressor, Universal Audio 1176LN, API 225L compressors; Aurora Audio GTQ2, API 312 mic pres; Apogee Rosetta 800 AD; Apple Logic Pro; Dynaudio BM15A studio monitors
|
|
THE TEMPTATIONS STILL HERE
|
10/30 INTERNATIONAL/ UMG
|
Produced by: Otis Williams, Johhny Britt, Shaun Pezant, Michael Panepento, Keith Ferguson Engineered by: Eric Astor, Reggie Dozier, Shaun Pezant, Michael Panepento Studios: Top Secret Productions (Birmingham, AL); Entourage Studios (North Hollywood, CA) Mastered by: Bernie Grundman at Bernie Grundman Mastering Equipment Notes: (Entourage) Modified Harrison 3232C console with Neve Melbourne 12x2 sidecar; Digidesign Pro Tools 7.4 HD Accel 3; Urei 813, Genelec 1031A, Yamaha NS-10M studio monitors
|
|
THE CORDUROY ROAD LOVE IS A WAR
|
MULE TRAIN
|
Produced by: John Keane Engineered by: John Keane Studios: John Keane (Athens, GA) Equipment Notes: (John Keane) Trident 80-B 30x24x2 console; Digidesign Pro Tools HD; Genelec 1031A, Auratone studio monitors
|
|
ELIZABETH COOK WELDER
|
30 TIGERS
|
Produced by: Don Was Engineered by: Krish Sharma Studios: House of Blues (Nashville) Equipment Notes: SSL 9000J console with Ultimation; Digidesign Pro Tools HD Accel 4; Yamaha NS-10M studio monitors
|
|
MARCHING BAND POP CYCLE
|
U&L
|
Produced by: Jari Haapalainen Engineered by: Johan Gustafsson Studios: Studio Gröndal (Stockholm, Sweden) Equipment Notes: API console; Yamaha NS-10M studio monitors
|