PreSonus Tees Up In Phoenix

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AES136 Readies Project Studio Expo
The 136th Audio Engineering Society Convention will feature the European premier
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SSL Live Hits Road With Lemoine
FOH engineer Kevin Lemoine has been around the world with acts like Green Day, I
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Gonzales Mixes Beyoncé with Waves
Monitor engineer Daniel Gonzales (Beyonce, Frank ocean, Gungor) used Waves Audio
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Broncos Bring On Axient
Throughout the 2013-2014 NFL season, Jeremy Wecker, audio visual services manage
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Rolling With Sigur Rós
Icelandic band Sigur Rós finished a two-year tour recently, with UK audio provid
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Sennheiser Student Heads To HBO
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Renkus-Heinz Supports Swan Lake
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Countryman Takes on Horseman
LA-based production sound mixer Johnny Kubelka has been using his Countryman Ass
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2010: Semiconductors In A



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A Bridge to Somewhere



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A Conversation with Jonat



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A Lesson Learned On The R



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A Novel Approach to the H



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A Peek Into MP3’s Past



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A Postcard From Frankfurt



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A Postcard from London



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Quote of the week
“The main thing is that there’s more diversity, rather than less diversity [in the live sound marketplace]. For example, years ago, an acoustical consultant could say, ‘All I do is design sound systems for sports stadiums and arenas.’ Well, there aren’t enough of those gigs today that they can be that specialized, so they get into other areas. Another example might be rental and staging or touring companies; years ago, they might’ve said ‘All I do is sound.’ Today, they’re doing sound, lights, video, rigging, special effects and more, so the trend is towards more diversity.”—John Stiernberg
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