RoomMatch Comes To Roost

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DPA Grabs Guardians On-Set
Production sound mixer Simon Hayes used DPA Microphones to record the highest-gr
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Chance The Rapper Adds In-Ears
Chicago-based sound engineer Aaron Patkin joined Chance the Rapper in 2013, work
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Avid Welcomed to the Jungle
Digital Jungle, a 24,000-square-foot post facility in the heart of Hollywood, ha
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Netia Assists Oman Radio
The Radio Sultanate of Oman is using Netia’s Radio-Assist to provide automation
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Philly Int'l Records to be Demolished
By Kelleigh Welch. Since 1971, the iconic blue neon sign flashing “Philadelphia
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DTVAG Debates Next-Gen Audio Services
The five-hour DTV Audio Group (DTVAG) forum at the recent AES Convention in Los
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Undercurrent Goes 3D with Nuage
Independent film/music composer, 3D sound designer, producer and media-tech entr
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Merging, Auro Ready 3D Panner Engine
Merging Technologies’ upcoming 3D panning and mixing engine will work with Auro-
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2010: Semiconductors In A



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A Bridge to Somewhere



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A Conversation with Jonat



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A Lesson Learned On The R



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A Novel Approach to the H



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A Peek Into MP3’s Past



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A Postcard From Frankfurt



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A Postcard from London



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MORE NEWS
Quote of the week
“The thing that’s changed for mastering has a lot to do with what the industry thinks is sellable now. Sometimes for one album, we’ll do five different formats—vinyl, CD, special mastering for iTunes, a High-Res format for Sony and a High-Res 92 or 96 K. I think what happened with vinyl, though, is that a lot of people were focused on things that were downloadable and convenient, but a big segment of the public like that physical media." - Bernie Grundman in "State of the Industry: Recording"
From the latest issue of Pro Sound News - Click here to read the full article!




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