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Stagetec Hits Super Bowl with Fallon
Stagetec's Nexus system provided the audio routing backbone as "Late Night with
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Pseudo Shures Seized in South America
In Peru and Paraguay, thousands of counterfeit Shure mics and accessories were r
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What's the Value of Music?
The Production Music Association (PMA) is hosting a panel on Thursday, February
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CAD Audio Updates E300S Mic
CAD Audio has introduced an updated version of its E300S multi-pattern, large-di
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Lectrosonics Helps Capture ‘Gypsy’
During a recent production of the classic musical ‘Gypsy,’ Lectrosonics wireless
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Yamaha Gives Details On U.S. Audio, MI Merger
Yamaha's board approved a merger effective April 1 of its U.S. home-audio subsid
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HHB Sets Americas Distributor
London-based HHB Communications has appointed Burlington Audio (Oceanside, NY) a
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Strapko Goes Countryman
Bruno Strapko CAS, an independent location sound recordist and owner of Strapko
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2010: Semiconductors In A



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A Conversation with Jonat



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Business
Pseudo Shures Seized in South America
What's the Value of Music?
Yamaha Gives Details On U.S. Audio, MI Merger
HHB Sets Americas Distributor
TCGI Names Mideast Sales Manager

Recording
Scott, Tatz In Blue Grotto
Strapko Goes Countryman
Auralex Donates to Camp Simcha
Masterdisk Clocks with Antelope
UK Remixer Rogers Adds SSL

Live
BYU-Idaho Brings On DiGiCo
Lectrosonics Helps Capture ‘Gypsy’
Wanna Play? Stage Rocks NAMM
D.A.S., ProShop Land at Danish Arena
Chickenfoot Steps Out With Martin MLA

Post Production
What's the Value of Music?
New Wave EVOlves with Fairlight
Soundelux Drives to Oscar Nom
Pirate Promotes Packaged Project Post
Audio Branding Congress Comes to NYC

Broadcast
Stagetec Hits Super Bowl with Fallon
Dogus Expands with SSL
CRTV Upgrades Netia Automation
Second Calrec for WPBT2
Award-Worthy Audio

Gear & Technology
CAD Audio Updates E300S Mic
Lewitt Bows LCT 840, LCT 940 Tube Mics
Grimm Audio Introduces TPR Cable
Aphex Unveils EX-BB 500 Processor
MXL Bows Tempo USB Mic

Quote of the week
“I would always work at high resolution so if they ever decide to do anything with it, we’ll have the 96 kHz/24-bit mastered versions. When the original 3-LP set came out, it was a momentous occasion. Many people feel it’s one of the best Grateful Dead albums out there. The box set sounds different because the approach was to create a more organic live feel than the vinyl. Overall, it was just a real simple recording setup that just sounds great.”
Dave Glasser of Airshow Mastering on the Grateful Dead’s box set Europe ’72: The Complete Recordings


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    • Business»
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    • Recording»
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    • Broadcast»
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    • Gear & Technology»
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