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Eastern Star Church Shines On CSD
The Eastern Star Church in Indianapolis recently added a third campus. CSD, Inc.
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Dangerous Congrats Grammy Noms
Dangerous Music is congratulating several users associated with 2011 Grammy-nomi
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Fairlight Drives Studio Business
Producers Video recently added Fairlight's XCS Constellation, with the Xynergi a
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Full Compass Promotes Kjensrud
Full Compass Systems has promoted Kyle Kjensrud from product specialist to assis
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ISE Draws Record Attendance
This year’s Integrated Systems Europe show, held last week in the Amsterdam RAI,
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Adamson Subs Aid Aerospace Tests
A total of 16 Adamson B-118 subwoofers are aiding researchers as they test cabin
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QSC Sounds Out Suffolk
A new QSC system has been installed at Suffolk County Community College.
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IsoAcoustics Bows ISO·L8R155 Stands
IsoAcoustics has launched its ISO·L8R155, a line of speaker stands that use a pa
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2010: Semiconductors In A



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A Bridge to Somewhere



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A Conversation with Jonat



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A Lesson Learned On The R



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MORE NEWS»
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Business
Full Compass Promotes Kjensrud
Pseudo Shures Seized in South America
What's the Value of Music?
Yamaha Gives Details On U.S. Audio, MI Merger
HHB Sets Americas Distributor

Recording
Dangerous Congrats Grammy Noms
Scott, Tatz In Blue Grotto
Strapko Goes Countryman
Auralex Donates to Camp Simcha
Masterdisk Clocks with Antelope

Live
Eastern Star Church Shines On CSD
BYU-Idaho Brings On DiGiCo
Lectrosonics Helps Capture ‘Gypsy’
Wanna Play? Stage Rocks NAMM
D.A.S., ProShop Land at Danish Arena

Post Production
Fairlight Drives Studio Business
Hallberg Hears Call of Duty
What's the Value of Music?
New Wave EVOlves with Fairlight
Soundelux Drives to Oscar Nom

Broadcast
Stagetec Hits Super Bowl with Fallon
Dogus Expands with SSL
CRTV Upgrades Netia Automation
Second Calrec for WPBT2
Award-Worthy Audio

Gear & Technology
CAD Audio Updates E300S Mic
Lewitt Bows LCT 840, LCT 940 Tube Mics
Grimm Audio Introduces TPR Cable
Aphex Unveils EX-BB 500 Processor
MXL Bows Tempo USB Mic

Quote of the week
“I would always work at high resolution so if they ever decide to do anything with it, we’ll have the 96 kHz/24-bit mastered versions. When the original 3-LP set came out, it was a momentous occasion. Many people feel it’s one of the best Grateful Dead albums out there. The box set sounds different because the approach was to create a more organic live feel than the vinyl. Overall, it was just a real simple recording setup that just sounds great.”
Dave Glasser of Airshow Mastering on the Grateful Dead’s box set Europe ’72: The Complete Recordings


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