HOW Sound

 

Second Baptist Church Sizes Up Consoles

Date: 03/23/2015

Second Baptist Church’s 5,000-seat “in-the-round” worship center on its West Campus in Houston recently added two DiGiCo SD5 consoles, installed by local HOW systems integrator Covenant Communications.  MORE


Fellowship Puts Faith In Community

Date: 03/17/2015

Faith Fellowship Church has held its services in a “stressed membrane structure” since 1999, but last year, it updated the unusual venue’s audio system with a new Community loudspeaker system that would cover the 88-foot by 120-foot space.  MORE


SSL Settles Into Mariners Church

Date: 03/11/2015

A pair of SSL Live L500 consoles were recently installed inside Mariners Church’s 3,400-seat worship center as part of an audio overhaul. Its current worship facility was built in 2006, so CCI Solutions, the integrator on the original sound system, handled creating and installing the new system.  MORE


Melbourne Temple Goes Martin Audio

Date: 03/10/2015

Temple Beth Israel in Melbourne, Australia recently upgraded its audio system in an effort to provide more flexibility for creative development and exploration of new formats for services and events.  MORE


Mt. Vernon Baptist Grabs Galaxy

Date: 03/09/2015

Mount Vernon Baptist Church in Curry, Alabama recently upgraded its sound system in order to provide a better worship experience for parishioners. Key to the audio renovation were new loudspeakers from Galaxy Audio.  MORE


EAW Lands At Century Baptist Church

Date: 02/11/2015

An EAW QX series loudspeaker system was recently installed at Bismarck, ND’s Century Baptist Church, in order to handle both traditional and contemporary services in its 600-seat space.  MORE


HOW Sound—Issue 3: Products

Date: 11/17/2014

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Sound Isolation On HOW Stages: A Joyful (But Quieter) Noise

Date: 11/17/2014

Providing balanced and pleasing sound in church settings can be a challenge. After all, one person’s “perfect” is someone else’s “too loud.” Since exorbitant stage levels are frequently the culprit in house-of-worship (HOW)-based SPL offenses—often resonating from typical backline instrumentation such as drums, amplified guitars and synths—fixing the problem on stage, at the source, is a most logical solution.  MORE


HOW Loudspeaker Systems: Narrow-Profile Steerable Solutions

Date: 11/17/2014

Digitally beam-steerable loudspeaker arrays offer a number of unique capabilities in house of worship applications, where the architecture can present significant challenges to the delivery of intelligible speech.  MORE


Teaching Vocal Microphone Technique

Date: 11/17/2014

Mixing amateur vocalists with a technology-laden worship sound system can be a recipe for disaster, but even a vocalist inexperienced with mic handling can be taught a few basic skills that can avoid technical distractions during worship.  MORE


Grund Expands ACX Series

Date: 09/10/2014

Grund Audio Design has expanded its ACX Series loudspeaker line with the addition of four new active models: the ACX-2A, ACX-5A, ACX-2MA and ACX-5MA, designed as a sound reinforcement solution for the 200-400 seat House of Worship market.  MORE


HOW Operator Training: The Manufacturer Link

Date: 03/28/2014

While houses of worship often have experienced staff overseeing the acquisition and implementation of A/V technology, the operators are typically lay volunteers.  MORE


HOW Mic Primer: Task Specific Microphone Selection

Date: 03/28/2014

Even in these days when it seems everything but the human voice has a “direct out,” the primary method for capturing sound for recording and amplification is still the microphone—but with so many types and options, how does one decide which mic to use for which application?  MORE


HOW To Network: Digital Interconnectivity

Date: 03/28/2014

The adoption of IT infrastructures and their adaptation for the interconnection of digital audio equipment has been a mixed blessing.  MORE


When Less Is More: Monitoring Considerations

Date: 03/28/2014

What the congregation in a house of worship hears is often greatly affected by both the source—the musical instruments themselves—as well as the monitor system utilized.  MORE


 
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