Software / Plug-Ins

 

Avid CEO Talks Pro Tools 12, Expansion

Date: 03/20/2015

by Frank Wells. “As this industry changes, it impacts us just like it does an artist or a producer, a mixer, and our role as a member of the family, as the technology expert in the family, is to use our expertise to help move the family forward,” opined Louis Hernandez, Jr., Chairman, President and Chief Executive Officer of Avid Technology, sitting down to talk to PSN during Winter NAMM 2015. NAMM saw the introduction of Avid Technology’s new flagship DAW, Pro Tools 12, with a basic companion DAW package, Pro Tools First. Pro Tools 12’s primary new features center on the Avid Everywhere concept, allowing access to music marketing and distribution tools, enabling collaboration and offering new software licensing models. Pro Tools First is a free software package, also conceived with collaboration in mind. Creating music “isn’t the whole problem anymore,” said Hernandez. “[The problem is] creating a way to sustain what you love doing. The tools have gotten simpler, but the environment’s  MORE


Focusrite Red Plug-In Suite

Date: 03/19/2015

Loading the new Focusrite Red Plug-in Suite ($299 street)—comprised of the Red 2 EQ and Red 3 Compressor—was like getting back in touch with long-lost friend.  MORE


The Subscription Model Gathers Momentum

Date: 03/18/2015

This column covered the subscription model in June 2013—but a lot has happened since then, and now our industry has followed Adobe’s lead.  MORE


Auto-Tune: The Controversy That Will Not Die

Date: 03/12/2015

Auto-Tune hit the world in 1997, and Antares has continued to update its software since then.  MORE


Software Aids In Power Use Of Hardware

Date: 03/10/2015

Recently, when I found myself working in a ‘traditional’ studio (amazing that I even have to say that), I noticed how much better I knew all of the outboard gear.  MORE


The Compatibility Game

Date: 03/10/2015

The “big features” that live within a DAW—digital audio, MIDI, automation, video integration, etc.—are already in place, but once you go outside the DAW, matters become less certain.  MORE


Studio Essentials: Perennial Favorites

Date: 03/10/2015

Years of insightful interviews with top engineers, mixers and producers have taught me a lot, including the truths within a well-worn cliché: the more things change, the more they stay the same.  MORE


Digital Archival Storage: Are We There Yet?

Date: 03/09/2015

One year ago, this column covered backup.  MORE


From The Designer’S Perspective

Date: 03/09/2015

One of the software bundles I started using quite a bit recently is the eXplorer III release from Rob Papen.  MORE


Immersive Sound: Bottom-Up Market Demand

Date: 03/02/2015

Initially debuting in cinemas in 2012, immersive—or 3D—sound has moved with lightning speed into the living room compared to previous multichannel audio formats.  MORE


Bush Plugs In To Digigrid DLS 

Date: 12/31/2014

Engineer and producer Billy Bush is using the DiGiGrid DLS audio interface for its networking and processing capabilities.  MORE


The 2014 Anderton Awards

Date: 11/20/2014

It was a cliffhanger: With the founder of the audio industry’s only virtual awards show absent due to pressing family concerns, the Anderton Awards seemed in as much peril as Lindsay Lohan’s career.  MORE


Something Old Becomes Something New

Date: 11/20/2014

The Waves EMI TG12345 Plug- In was developed with Abbey Road Studios and was meticulously modeled on the actual console used by the Beatles for Abbey Road.  MORE


Sound Magic Bows Serenade DSD Workstation

Date: 11/14/2014

Sound Magic has announced its new Serenade music workstation, designed for high-resolution music production. Consisting of the Serenade 384KHz USB2.0 audio interface, a digital audio workstation, a DSD/DXD effect plug-in bundle and DSD&PCM bi-directional converter software, the package is designed for editing and processing of DSD formats.  MORE


What's Next For Daws?

Date: 10/30/2014

The late John Simonton, PAIA Electronics’ founder, was a visionary—and I don’t use that word often.  MORE


 
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