DAW Migration: Pros Consider PT Alternatives

Date: 09/01/2015

Strother Bullins. Rowe: “Some DAWs have caught up and, in ways, surpassed PT.”  MORE

Studio Sense: Dear Client, Please Don't …

Date: 07/01/2015

Rob Tavaglione. Educate clients without alienating them…and blame it all on me!  MORE

Innovations: The Manufacturer's View: Testing Audio ADCs and DACs—Expert Advice from Audio Precision

Date: 06/30/2015

In 2015, there’s not much question about audio storage, transmission or streaming: It’s digital.  MORE

Can You Be Replaced by a Software Algorithm?

Date: 06/29/2015

For decades, mastering was considered an arcane, difficult art capable of being mastered (sorry about the pun) only by those with Jedi-level skill sets.  MORE

Not Your Daddy’S Ceiling Speakers

Date: 06/29/2015

As I write, I’m 30,000 feet in the air, winging towards Orlando and InfoComm.  MORE

Review: DPA SC4098 d:screet Podium Microphone

Date: 06/18/2015

By Strother Bullins. The d:screet SC4098 features well-chosen frequency response and alluring flexibility.  MORE

Review: Q2 Audio ADR Compex F760X-RS

Date: 06/17/2015

By Russ Long. The ADR Compex F760X-RS ($2,750) is a classic FET based compressor/limiter/expander/gate and has been a go-to box for many engineers over the past several decades. The vintage units continue to garner top dollar from those in the know. With the cooperation and full support of ADR, Tim Mead’s Q2 Audio has brought the elaborately designed Compex back to life. I should add that while the audio signal path and side-chain processing circuitry is completely faithful to the ADR’s version, some features have been updated to improve long-term reliability and operational flexibility, including the addition of external side-chain access which is configurable in the compressor or gate side-chains or via internal jumpers.  MORE

Review: Acme Audio Opticom XLA-3 MkII Tube Optical Limiter

Date: 06/12/2015

by Russ Long. There’s nothing more inspiring than a classic piece of audio gear and Acme Audio’s Opticom ($2,750) is precisely that: a modern day classic. Inspired by the Teletronix LA2A, the Opticom XLA-3 MKII is an all-tube optical limiter that offers a simple, elegant design with compression character that ranges from smooth and natural to aggressive and dirty. The 10.5 lb, 2U Opticom has a 20Hz to 20kHz +/- 1.4 dB frequency response and up to 29 dB of gain reduction (with 34 dB of makeup).  MORE


Date: 06/09/2015

Mackie’s ProFX analog mixer series has proven to be an ideal solution for many applications: small clubs and venues, houses-of-worship (HOW), and portable PA-reliant, self-mixing musicians and bands.  MORE


Date: 06/09/2015

One of the most exciting software releases over the past year has been iZotope’s release of Ozone 6 Advanced, the latest manifestation of its popular mastering suite.  MORE

Third Annual St. John Recording & Review Retreat

Date: 06/09/2015

For the past three years, Rich Tozzoli has organized a grand recording, gigging and equipment review opportunity by gathering his most fun-loving musician and audio-engineering friends, a select batch of gear and heading to the Caribbean.  MORE

Genelec 8351A Acoustically Coaxial Smart Active Monitor

Date: 06/09/2015

From a purely technological viewpoint, the Genelec 8351A offers something rare in today’s loudspeaker market—truly innovative technology.  MORE

You Say You Want A Convolution

Date: 06/09/2015

Reverb used to be simple: a room with a mic and a speaker.  MORE

A Postcard From Frankfurt

Date: 06/08/2015

Mid-March in Frankfurt seemed much like the March I’d left at home.  MORE

Innovations: The Manufacturer's View - A Platform For Growth O.H.R.C.A.: ROLAND’S NEW CONSOLE PLATFORM

Date: 06/04/2015

Roland’s Professional A/V division recently introduced a new digital audio mixing platform called O.H.R.C.A. to address the growing wish lists of audio professionals who were requesting high-quality sound, flexible architecture and an open audio network that integrates with most audio-over-Ethernet protocols.  MORE

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