Ashland, MA (August 25, 2006)–American ribbon microphone maker Crowley and Tripp are unveiling their new Recordist and Recordist Ensemble Stereo Kit at AES in San Francisco this October, adding a new voice to their line of highest quality U.S. ribbon mics, and–according to the company–raising the bar for Blumlein ribbon recording.
Crowley and Tripp’s Recordist Ensemble Stereo Kit The company’s newest ribbon microphone–The Recordist–is voiced for realistic reproduction of classical and jazz performances where a full-range, natural sound is desired. As with other Crowley and Tripp products, the Recordist’s high output, low noise design excels with location recording devices and digital audio interfaces, without the need for special high gain ribbon mic preamps. The Recordist is priced at $1,295 each, and comes with its own low diffraction rotary mount for exact placement, a durable Pelican case for location gigs, and a three-year warranty.
The Recordist Ensemble Stereo Kit fills the need for those who want to record in realistic Blumlein stereo, but need the tracking flexibility not offered by integrated stereo ribbon microphones. The Recordist Ensemble Stereo Kit consists of two matched Recordist microphones, extender bar, two low diffraction rotary mounts, and is offered at an introductory price of $1,995. Recordist mics come with a three-year warranty, a durable Pelican case and a stage-appropriate gunmetal gray finish.
In addition to the Recordist, Crowley and Tripp manufactures the Studio Vocalist, Soundstage Image, Proscenium, SPLx Custom, and Naked Eye ribbon microphones completely in the U.S. Each microphone is an original design carefully voiced for a variety of applications in recording studios and on location. See and hear the full line of highest output, lowest noise Crowley and Tripp microphones at Booth #1431 at AES.
Crowley and Tripp ribbon microphones are hand-built in the company’s
Ashland, Massachusetts facility, Soundwave Research Laboratories (www.soundwaveresearch.com).