John Hiatt Records New Album at Ardent Studios - ProSoundNetwork.com

John Hiatt Records New Album at Ardent Studios

Memphis, TN (February 2, 2005)--John Hiatt has recorded his new album at Memphis' renowned Ardent Studios, in what is described as the very first sessions to use a "real world" DSD recorder. Produced by Jim Dickinson and engineered by John Hampton, the New West Records album features Luther and Cody Dickinson of The North Mississippi All-Stars on guitar and drums, with David Hood on bass.
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Memphis, TN (February 2, 2005)--John Hiatt has recorded his new album at Memphis' renowned Ardent Studios, in what is described as the very first sessions to use a "real world" DSD recorder. Produced by Jim Dickinson and engineered by John Hampton, the New West Records album features Luther and Cody Dickinson of The North Mississippi All-Stars on guitar and drums, with David Hood on bass.

Pictured during recording sessions at Ardent, which employed the Sonoma-24 DSD Multitrack System, are (l-r): guitarist Luther Dickinson, producer Jim Dickinson, and John Hiatt. Seated at console is Gus Skinas. Photo by Alan Spearman, The Commercial Appeal.




















Gus Skinas, president and CEO of Super Audio Center LLC., developers of the Sonoma-24 Direct Stream Digital recording and editing system, was on hand to supervise the new technology. Skinas explained, "John Hiatt's session at Ardent was the very first session to use a 'real world' multitrack DSD recorder. DSD, or Direct Stream Digital, is a new and different technology for recording audio. It is a step as significant as the move from analog to digital recording in the early 80's. In stead of recording 24 bit words at a rate of 96 thousand times a second, it records a very fast 1 bit sigma-delta stream at a rate of 2.8 million bits a second. It is a signal much more analog-like in sound and appearance, but it can still be digitally copied and processed.

"While there are some devices out there that can record multitrack DSD, the Sonoma-24 is the only one that can do this and provide the overdubbing and editing capabilities that everyone is familiar with, given the power of today's workstations," Skinas continued. "When used in a state-of-the-art analog studio such as Ardent, the final product is free of the sonic restrictions one finds with typical digital production. This will be most obvious when John Hiatt's new SACD is played on an SACD player that uses the same DSD technology to playback the recording. It will also be noticeable on CD's and MP3's. As well, because the better the master, the better the final product."

Ardent Studios
www.ardentstudios.com