New York (August 23, 2007)–TriTone Digital, a collaboration of Salvator Vouakouanitou of Trinity Studios in France and Damon Whittemore of ValveTone, USA, has released two new plug-ins for Mac: ClassicTone-56 and PulTone-FL.
ClassicTone-56 aims to be a true-to-the-original recreation of one of the best sounding graphic EQs ever made, found in consoles and lunch boxes around the world. ClassicTone-56 features 10 bands: 31 Hz, 63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz and 16 kHz. All bands are capable of 12 dB of boost or cut.
PulTone-FL is a recreation of a super-sweet passive program filter set. The company notes, “This studio classic is one of the best ways to tweak and shape tracks to create space in a mix or to create limited frequency range effects like the classic ‘telephone’ vocal.” PulTone-FL features two filter bands: a low-cut and a hi-cut. The frequencies for the low-cut are 50 Hz, 80 Hz, 100 Hz, 150 Hz, 250 Hz, 500 Hz, 750 Hz, 1 kHz, 1.5 kHz and 2 kHz. The frequencies for the hi-cut are 1.5 kHz, 2 kHz, 3 kHz, 4 kHz, 5 kHz, 6 kHz, 8 kHz, 10 kHz, 12 kHz and 15 kHz.
TriTone Digital has expanded the abilities of PulTone-FL to allow each band to move between “cut” and “expand” modes, by using the slider below each band to move between the far left position (full cut, true to the original) and the far right positions (full expand, the reverse curve of the full cut). This enhancement allows PulTone-FL to act as a smooth vintage filter or a silky boost EQ, or any point in-between.
TriTone Digital is offering special introductory pricing for a limited time. Until August 29th at 12 p.m. Either plug-in can be demo’ed by clicking on the icon in the left navigation of TriTone Digital’s home page and selecting the Demos tab. Windows versions are forthcoming, says the manufacturer.