At MerleFest’s Hillside stage, FOH
engineer Boban Petrovic manned a
Yamaha PM5D-RH console that sent
mixes to Nexo Geo D loudspeakers.
Photo credit: Terry Richardson
Wilkesboro, N.C. (May 18, 2009)–For 22 years, MerleFest has presented a wide variety of music, and this year’s edition was no different, featuring more than 100 acts across 11 stages, including the two largest, which sported Yamaha and Nexo audio gear.
Spearheaded by ‘B’ Townes from Wilkes Community College, and ‘Doc’ Watson in memory of his son, guitar picker Eddy Merle Watson who died 24 years ago, the festival again chose SE Systems of Greensboro and Charlotte, N.C to provide production audio, lighting, staging, and recording. “We’ve been with the Festival from the very beginning,” states Cliff Miller, President of SE Systems. “This year’s festival saw over 100 acts take the stages including Watson, Travis Tritt, Jerry Douglas, Linda Ronstadt, Sam Bush, Emmylou Harris, the Waybacks, Cadillac Sky, David Bromberg, The Steeldrivers, just to name a few.”
Miller chose a combination of Yamaha and Nexo products for the two largest stages, Hillside and Creekside. A Nexo Geo D line array, two Yamaha PM5D-RH digital consoles, six Nexo Geo S1210 monitors for sidefills, eight Nexo PS15 floor wedges, and four PS-10 frontfills were used at the Hillside stage. Festivalink, who offers audio downloads of festivals, used an ADK LYVE Tracker for recording at the Hillside Stage. Yamaha T5n amplifiers were also used on both stages.
A pair of Yamaha M7CL-48 consoles using six Yamaha AD8HRs with an NAI-48 on stage connected via EtherSound, three arrays of Nexo GEO S1210 and S1230 loudspeakers, and Nexo PS10s were used for frontfills at the Creekside stage.
“MerleFest is always a challenge for the sound system and the front of house engineer, due to the mix of mostly acoustic instrumentation and a lot of open vocal and instrument mics within a very limited space,” states Boban Petrovic from SE Systems, who acted as front of house engineer at the Hillside Stage.
“I’ve been working at the Hillside Stage for eight years and have dealt with various speaker systems, gaining experience and learning the strong and weak points of the systems, and then adjusting them for MerleFest needs,” says Petrovic. “This year, I was faced with a completely new system: the Nexo Geo D, which I hadn’t heard before. When you don’t have the opportunity to compare two systems side by side, my approach is to see how fast and how well you are able to make them work in a given circumstance, and of course, to my subjective judgment. Well, I was surprised and impressed with the results. Not only did it take a relatively short time to do basic EQ, but also the reproduced music was at an exceptional clarity. The Geo D was well-balanced, evenly spread, and wide and high across the area of coverage. What impressed me most were the vocals; beautifully defined, warm and full-bodied. The acoustic instruments had great intelligibility and separation. The Nexo system showed very high analytical character, and the low end never muddied or masked the upper range of vocals.”
Petrovic added that the transient response of low end drivers were the best he’s heard and the cardioid pattern solved a problem he had with one of the sets. “The non-directional bass was a problem for performers on the stage and I was forced to lower sub-levels at FOH. Using the Nexo cardiod subs, I was able to satisfy complaints about too much low end at the stage. I couldn’t believe how little low end spill was on the sides and rear of the cabinets. The audience is the final judge and they had nothing but praise, which is always music to my ears. The Geo D was love at first sight.”
SE Systems, Inc.
Yamaha (Nexo distributor for U.S.)