Recording NPR’s ‘Tiny Desk Concert’ Podcast at ‘Home’
Audio engineer Josh Rogosin keeps NPR's ‘Tiny Desk Concert’ podcast series alive during remote-based COVID times.
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Audio engineer Josh Rogosin keeps NPR's ‘Tiny Desk Concert’ podcast series alive during remote-based COVID times.
Moving from radio to podcast format changed how Kelcey Ayer approaches his multi-character, improv-informed comedy show.
Producer and editor Dylan Fagan amassed dozens of tracks to shape a cohesive sound that underscores the saga of the first arctic explorers.
Exploring the construction and meaning of popular music, the 'Switched On Pop' podcast is an audio mixing challenge.
The long-running podcast series, Longform, is a master class in interviewing that's bolstered by tasteful editing.
After recording the first season of Rarified Heir before the pandemic, the production team behind the quirky podcast will track season two remotely.
Podcaster Christopher Fitton has learned the audio ropes while racking up 2 million listeners every month with his hypnotherapy show, 'Sleep Cove.'
Rick Rubin's Broken Record podcast has seen the music industry icon interview everyone from The Black Keys and Leslie Odom Jr. of Hamilton to fellow producers like Dave Cobb and Wyclef Jean. Shaping and editing hours of raw material...
Go on location with the producers behind podcasts for National Geographic, Outside and more
The podcast, based on the hugely successful ‘Freakonomics’ books, stays on track thanks to its highly organized workflow.
Audio technology helps 'Twenty Thousand Hertz' explore how we experience sound in the modern world, aiming to "bring joy to sound itself."
Record producer Steve Greenberg (Jonas Brothers, Joss Stone) dives into the making—and mythology—of pop music on the Speed of Sound podcast.
Button up your podcast workflow with insights from the teams behind The Dave Ramsey Show; All American: Tiger Woods; Mogul: Mixtape; and Story Pirates.
Unconventional recording and editing approaches have helped the ‘Story Pirates’ Podcast keep its ships aligned.
Recording Led Zeppelin icon Robert Plant in challenging locations, 'Digging Deep' producer Matt Everitt keeps the audio consistent no matter what.
A well-oiled workflow paved the way for Stitcher's golf podcast, 'All American: Tiger Woods,' to stay on track after the pandemic forced the production team to work remotely.
Camp Monsters producer Chelsea Davis says the secret to making your sound effects really scary is one word: restraint.
Since 2002, Radiolab has provided listeners with deep-dive journalism, requiring exciting—but truthful—sound design. ‘Sound is an editorial statement,’ says producer Dylan Keefe.
Judicious use of music and sound beds adds an extra layer of comedy and commentary to history podcast The Alarmist.
‘Eric Krasno Plus One’ producer Matt Dwyer dishes on his tight audio game—“It's a lot different than producing music….”
Uncertainty is constant in audio production, but creator Matt Boudreau shows a different path.
A variety of audio editing tricks help audio producer Matt Gourley ensure that the 'Conan O'Brien Needs A Friend' podcast keeps the laughs coming.
Why the hit narrative comedy podcast 'Dead Eyes' values the perfect take over technical purity.
Producers of top podcasts for ESPN, National Geographic and more share their insights into making the most of your audio, music and sound effects.
Producer Benjamin Frisch reveals the music mix tricks he uses to shape Slate’s Decoder Ring podcast.
Journalist and author Jake Halpern began pursuing the story of former FBI agent Ned Timmons before he even had a home for the project. The effort eventually became the Pushkin Industries podcast 'Deep Cover: The Drug Wars,' whose sound...
The Dave Ramsey Show is Apple’s fourth most popular podcast—so why is its behind-the-scenes team retraining on audio production processes?
“A big part of sound design and scoring is actually finding the moments of simplicity, where you can pull back," says Julia Lowrie Henderson, senior editorial producer for ESPN's 30 for 30 Podcasts.
The long-running hit podcast, 'Revisionist History,' treats original musical scoring as an integral part of the show, bringing listeners into the moment when sound effects can't.
Smuggled dinosaur bones? Scuba diving under a pyramid? Binaural audio recording onsite? It’s all part of the 'Overheard at National Geographic' podcast’s third season.
On every episode, ‘Office Ladies’ hosts Jenna Fischer and Angela Kinsey discuss their sitcom The Office, but there’s far more to producing the podcast than just watching TV with a mic on.
The intricate sound design of Missing In Alaska takes the investigative podcast from the icy shores of Alaska to the deserts of Arizona. Here's how they did it.
Popular artists take apart their tracks on "Song Exploder," revealing to host Hrishikesh Hirway and his podcast team what it takes to create a great recording.
Sound designer David Herman uses local sounds in creative ways to tell the story of Hurricane Katrina in the eight-part podcast "Floodlines."
Sharing heart-stopping tales of survival means that "Backpacker" magazine’s "Out Alive" podcast moves quickly and travels light.
Berklee assistant professor of music production/engineering by day, rock n’ roll podcast producer by night, Matthew Beaudoin brings the audio might to ‘Disgraceland’ and ’27 Club.’
Whether talking to Martina McBride at Blackbird Studios or Willie Nelson over a cell phone, the Biscuits & Jam podcast uses sound to keep it real as food-loving musicians share stories about home, family, tradition and Southern culture.
Clandestine meetings with the CIA? Rocking out in Russia? Recording secret agents? It was all in a day's work while producing the hit 'Wind of Change' podcast.
When ‘Talkhouse’ host and producer Elia Einhorn got COVID-19, it put the popular podcast’s workflow to the test. The workflow won.
Apple hosts more than 1 million podcasts—and the new hit, Flashback, is in its Top 50. See how sound supports OZY/iHeartRadio’s show about the accidental side effects of history.
The production team on Gimlet's hit Mogul podcast took spinoff The Mogul Mixtapes from concept to launch in three weeks, despite the pandemic.
“We're only scratching the surface” of podcast sound design, says Rob Byers, director of broadcast and media operations at American Public Media.