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Bianca Nicholas is an extraordinary talent. The 22-year-old singer, who suffers from cystic fibrosis, has not let her condition get in the way of her dreams, and is already paving her way in the music industry both in the...
A DiGiCo SD11 console was used on Danish singer-songwriter Mads Langer’s recent tour, writes Paul Watson.
Paul Watson catches up at NAMM with Line 6's vice president of new market development Simon Jones to discuss the manufacturer's expanding digital wireless system and the new potentially game-changing StageScape and StageSource products…
W E Audio has received delivery of two Midas Pro 2 consoles, purchased from LMC Audio, writes Paul Watson.
Allen & Heath will unveil GLD, a user-friendly, cost-effective and scalable live digital mixing system, conceptually based on the successful digital iLive series, at NAMM 2012, writes Dave Robinson.
CPS Group has announced the purchase of the Stagecraft brand after the recent voluntarily liquidation of Stagecraft Technical Services Ltd, writes Paul Watson.
London-based rental company Orbital Sound adds Wicked to its show list as the hit musical premieres on the Dutch stage.
A brand new L-Acoustics line source sound system was recently installed into the Norwegian National Theatre in Oslo, writes Paul Watson.
A theatre production boom has encouraged a major inventory upgrade for UK hire company Orbital Sound, writes Dave Robinson.
AED Rent has teamed up with ING Corporate Investments and Phifin to help pursue its ambitious growth plans, writes Marc Maes.
A range of Sennheiser microphones and receivers will be deployed for George Michael's first ever orchestral tour which kicks off this month, writes Paul Watson.
Matt Napier has just returned from a six-month stint with Kylie on her Aphrodite tour. Although he began as a FOH engineer, he fell into monitors and has worked with a string of pop acts including Blue, Madonna, and...
Lake Processing has renewed its credentials as a recognised industry leader in digital audio with the introduction of a brand new, standalone system processor, the LM 44, writes Dave Robinson.
Academy Music Group will celebrate 10 years of O2 Academy Bristol this November, a landmark occasion for the UK’s leading South West venue, writes Paul Watson.
Marc Dieter Einstmann is a renowned mastering engineer and also works actively in the live environment. Paul Watson talks to him about both sides of his musical career and his current role mixing FOH for German touring act Lotto...
In this week's report Jim Evans speaks to Phaedras Audio's Richard Brice about the company's unique outboard products which are inspired by the classic audio values of the 50s and 60s.
One of the UK’s leading regional rental companies King Sound Reinforcement has invested in a dozen of APG’s SMX15 monitor speakers ensuring its inventory is right up to date, writes Paul Watson.
In this week's feature Franck Ernould talks to the two experienced and super-devoted recording engineers that set up Studio 85 in the backyard of an old building in south-west Paris.
Paul Hatt runs PA hire company CS Audio and has been working monitors since the beginning of his career in music. Paul Watson talks to him about falling back into the industry just after dropping out(!) and the evolution...
Chorum Records used the SoundField DSF-1 digital microphone system to record a recent choral concert at Hereford Cathedral.
UK manufacturer Studiomaster has appointed SC Sound as its exclusive Swedish distributor.
German recording facility Pepper Studio has kitted its rooms out with an SSL AWS 948 and SSL Nucleus.
Coda Audio’s Airline LA8 array system has made its Belgian theatre debut at the Ghent Capitole, write Marc Maes.
KMR Audio has supplied an API 1608 recording console to singer-songwriter KT Tunstall for her home studio.
Alicia Keys’ recording engineer Ann Mincieli has collaborated with Walters-Storyk Design Group (WSDG) in a bid to create NYC’s ultimate facility: Jungle City Studios.
In this week's feature The Prof explains why the sound a product makes is becoming just as important as the way it looks
American manufacturer APB finds favour in Europe as high-performance, ergonomically-friendly analogue consoles are still in demand, reports Simon Duff
TC Electronic is set to host a major audio seminar in Rome this year inviting some of the most respected audio authorities
Point Blank has added live engineer Sophie Grant to its teaching team to offer expert advice on mixing live sound
Munro Acoustics has just finished building a brand new studio for Audio Network composer Barrie Gledden
In this week's feature the Prof looks at a recently released beta version of Harman's 'How to Listen' software with the company's director of research Sean Olive
HD Pro Audio's Andy Huffer talks to Paul Watson about his most recent project which saw him mix live sound, record, and mix for broadcast for the BBC's new reality show Goldie's Band: by Royal appointment, which was set...
Four former members of VMB have joined forces to create a brand new company Lynx Pro Audio, writes David Davies
Miloco has added a third top-end studio Revolution Mastering to its recently launched portfolio of mastering rooms
This week, Chris Barrett of Music Week talks to MPG and Brit Award-winning producer Markus Dravs about his eclectic career in music production
Engineer/producer Phil Harding talks about working with his partner Ian Curnow in the good old days of PWL
In this week's tech review, Professor Rumsey explains how the unconventional 9.1 channel Auro-3D format really works
John Newsham, co-founder of Turbosound and Funktion One, has been mixing Underworld for more than twenty years. He explains to Paul Watson the importance of keeping all things analogue at FOH…
Professor Rumsey looks into the role the X Curve played in improving cinema sound
Mix engineer DJ Swivel has worked with the likes of Britney Spears, Jay-Z and Beyonce to name a few. He reveals to Paul Watson why he'll never stray from his comfort zone...
White Mark Ltd has installed and acoustically treated two brand new audio suites at London’s Scramble Soho studio
After accidentally landing a gig whilst making some sandwiches, Richard Dickerson soon discovered he could mix live sound. Thirty years later, Dickerson reveals to Paul Watson why he's still in the game...