Los Angeles, CA (July 28, 2020)—The Television Academy announced the nominations for the 72nd Emmy Awards, presented as a live virtual event due to the coronavirus pandemic, including the categories of outstanding sound editing and sound mixing.
The 72nd Emmy Awards will be hosted by Jimmy Kimmel, who also serves as executive producer for the show. The awards ceremony will be broadcast on ABC on Sunday, September 20 (8:00-11:00 p.m. EDT/5:00-8:00 p.m. PDT). The 2020 Creative Arts Awards will air on FXX on Saturday, September 19 at 8:00 p.m. EDT/PDT.
The Emmy nominations in the sound editing and mixing categories are as follows:
Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)
Better Call Saul • “Bagman”
Nick Forshager, Co-Supervising Sound Editor
Kathryn Madsen, Co-Supervising Sound Editor
Matt Temple, Sound Effects Editor
Todd Toon, Sound Effects Editor
Jeff Cranford, Foley Editor
Jane Boegel, Dialogue Editor
Jason Newman, Music Editor
Gregg Barbanell, Foley Artist
Alex Ullrich, Foley Artist
The Boys • “The Name Of The Game”
Wade Barnett, Sound Supervisor
David Barbee, Sound Effects Editor
Mason Kopekian, Foley Editor
Brian Dunlop, Dialogue Editor
Ryan Briley, ADR Editor
Chris Newlin, Music Editor
Christopher Brooks, Music Editor
Joe Sabella, Foley Artist
Jesi Ruppel, Foley Artist
The Crown • “Aberfan”
Lee Walpole, Supervising Sound Editor
Andy Kennedy, Sound Designer
Saoirse Christopherson, Sound Effects Editor
Juraj Mravec, Sound Effects Editor
Tom Williams, Dialogue Editor
Steve Little, ADR Editor
Tom Stewart, Foley Editor
Anna Wright, Foley Artist
Catherine Thomas, Foley Artist
Star Trek: Picard • “Et In Arcadia Ego: Part 2”
Matthew E. Taylor, Sound Supervisor
Tim Farrell, Sound Editor
Henry Cohen, Sound Editor
Michael Schapiro, Sound Editor
Sean Heissinger, Sound Editor
Clay Weber, Sound Editor
Moira Marquis, Music Editor
Stan Jones, Music Editor
Alyson Dee Moore, Foley Artist
Chris Moriana, Foley Artist
Stranger Things • “Chapter Eight: The Battle Of Starcourt”
Craig Henighan, Co-Supervising Sound Editor William Files, Co-Supervising Sound Editor
Ryan Cole, Sound Editor
Kerry Dean Williams, Sound Editor
Angelo Palazzo, Sound Editor
Katie Halliday, Sound Editor
David Klotz, Music Editor
Steve Baine, Foley Artist
Westworld • “Parce Domine”
Sue Gamsaragan Cahill, Supervising Sound Editor
Benjamin L. Cook, MPSE, Sound Designer
Shaughnessy Hare, Special Effects Editor
Jane Boegel-Koch, Dialogue Editor
Tim Tuchrello, Dialogue Editor
Sara Bencivenga, ADR Editor
Brendan Croxon, Foley Editor
Adrian Medhurst, Foley Artist
Christopher Kaller, Music Editor
71st Emmy Awards for Sound Announced
Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
GLOW • “The Libertines”
Robb Navrides, Supervising Sound Editor/ ADR Editor
Colette Dahanne, Sound Effects Editor
Jason Lezama, Dialogue Editor
David Beadle, Dialogue Editor
Jason Krane, MPSE, Dialogue Editor
Larry Hopkins, Foley Editor
The Mandalorian • “Chapter 1: The Mandalorian”
David Acord, Co-Supervising Sound Editor/Sound Designer
Matthew Wood, Co-Supervising Sound Editor
Bonnie Wild, Sound Effects Editor
James Spencer, Dialogue Editor
Richard Quinn, ADR Editor
Richard Gould, Foley Editor
Stephanie McNally, Music Editor
Ryan Rubin, Music Editor
Ronni Brown, Foley Artist
Jana Vance, Foley Artist
Silicon Valley • “Exit Event”
Bobby Mackston, Sound Supervisor
Sean Garnhart, Sound Effects Editor
Ryan Gierke, Dialogue Editor
Joe Deveau, Music Editor
Vincent Guisetti, Foley Artist
Space Force • “The Launch”
Bobby Mackston, Co-Supervising Sound Editor/ADR Editor
Paul Hammond, Co-Supervising Sound Editor/Dialogue Editor
Sean Garnhart, Sound Effects Editor
Vincent Guisetti, Foley Artist
What We Do In The Shadows • “The Return”
Steffan Falesitch, Sound Supervisor
David Barbee, Sound Effects Editor
Angelina Faulkner, Dialogue Editor
Steve Griffen, Music Editor
Sam C. Lewis, Foley Editor
John Guentner, Foley Editor
Ellen Heuer, Foley Artist
Outstanding Sound Editing For A Limited Series, Movie Or Special
American Horror Story: 1984 • “Camp Redwood”
Gary Megregian, MPSE, Supervising Sound Editor
Timothy A. Cleveland, Sound Effects Editor
Naaman Haynes, Dialogue Editor
Patrick Hogan, Dialogue Editors
Sam Munoz, Foley Editor
David Klotz, Music Editor
Noel Vought, Foley Artist
Catherine The Great • “Episode Four”
Jim Goddard, Sound Supervisor
Craig Butters, Sound Designer
Duncan Price, Dialogue Editor
Matthew Mewett, ADR Editor
Andrew Glen, Music Editor
Anna Wright, Foley Artist
Catherine Thomas, Foley Artist
Devs • “Episode 3”
Glenn Freemantle, Sound Designer and Co-Supervising Sound Editor
Ben Barker, Sound Designer and Co-Supervising Sound Editor
Gillian Dodders, Dialogue Editor
James Wichall, Dialogue Editor
Danny Freemantle, Sound Effects Editor
Robert Malone, Sound Effects Editor
Dayo James, Sound Effects Editor
Nicholas Freemantle, Sound Effects Editor
Lily Blazewicz, Foley Editor
Emilie O’Connor, ADR Editor
El Camino: A Breaking Bad Movie
Nick Forshager, Co-Supervising Sound Editor
Todd Toon, Co-Supervising Sound Editor
Kathryn Madsen, ADR Editor
Jane Boegel, Dialogue Editor
Luke Gibleon, Sound Effects Editor
Jason Tregoe Newman, Music Editor
Bryant J. Fuhrmann, Music Editor
Jeff Cranford, Foley Editor
Gregg Barbanell, Foley Artist
Alex Ullrich, Foley Artist
Watchmen • “This Extraordinary Being”
Brad North, Supervising Sound Editor
Harry Cohen, Sound Designer
Jordan Wilby, Sound Effects Editor
Tiffany S. Griffith, Dialogue Editor
Antony Zeller, Foley Editor
A.J. Shapiro, Foley Editor
Sally Boldt, Music Editor
Zane Bruce, Foley Artist
Lindsay Pepper, Foley Artist
Outstanding Sound Editing For A Nonfiction Or Reality Program (Single Or Multi-Camera)
Apollo 11
Eric Milano, Sound Design
Beastie Boys Story
Martyn Zub, Supervising Sound Editor
Paul Aulicino, Sound Effects Editor
Pernell Salinas, Sound Editor
Cheer • “Daytona”
Logan Byers, Sound Supervisor
Kaleb Klinger, Dialogue Editor
Sean Gray, Sound Effects Editor
Laurel Canyon: A Place In Time
Jonathan Greber, Sound Supervisor
McMillion$ • “Episode 1”
Ben Freer, Sound Designer
Jordan Meltzer, Sound Designer
Jody McVeigh-Schultz, Music Editor
Tiger King: Murder, Mayhem And Madness • “Cult Of Personality”
Ian Cymore, Sound Supervisor
Rachel Wardell, Sound Editor
Steve Griffen, Music Editor
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)
Better Call Saul • “Bagman”
Phillip W. Palmer, CAS, Production Mixer
Larry Benjamin, CAS, Re-Recording Mixer
Kevin Valentine, Re-Recording Mixer
The Marvelous Mrs. Maisel • “A Jewish Girl Walks Into The Apollo…”
Mathew Price, CAS, Production Sound Mixer
Ron Bochar, Re-Recording Mixer
George A. Lara, Foley Mixer
David Boulton, ADR Mixer
Ozark • “All In”
Felipe ‘Flip” Borrero, CAS, Production Mixer
Larry Benjamin, CAS, Re-Recording Mixer
Kevin Valentine, Re-Recording Mixer
Phil McGowan, CAS, Scoring Mixer
Star Trek: Picard • “Et In Arcadia Ego: Part 2”
Peter J. Devlin, CAS, Production Mixer
Todd M. Grace, CAS, Re-Recording Mixer
Edward C. Carr III, CAS, Re-Recording Mixer
Michael Perfitt, Scoring Mixer
Stranger Things • “Chapter Eight: The Battle of Starcourt”
Mark Paterson, Re-Recording Mixer William Files, Re-Recording Mixer
Craig Henighan, Re-Recording Mixer
Westworld • “Parce Domine”
Geoffrey Patterson, Production Mixer
Keith Rogers, Re-Recording Mixer
Benjamin L. Cook, Re-Recording Mixer
Outstanding Sound Mixing For A Limited Series Or Movie
American Horror Story: 1984 • “Camp Redwood”
Alex Altman, Production Mixer
Joe Earle, CAS, Re-Recording Mixer
Doug Andham, CAS, Re-Recording Mixer
Judah Getz, CAS, ADR Mixer
Devs • “Episode 3”
Lisa Piñero, CAS, Production Mixer
Mitch Low, Production Mixer
Howard Bargroff, Re-Recording Mixer
Glen Gathard, Foley Mixer
El Camino: A Breaking Bad Movie
Phillip W. Palmer, CAS, Production Mixer
Larry Benjamin, CAS, Re-Recording Mixer
Kevin Valentine, Re-Recording Mixer
Stacy Michaels, Foley Mixer
Hollywood • “Hooray For Hollywood”
John Bauman, CAS, Production Mixer
Joe Earle, CAS, Re-Recording Mixer
Doug Andham, CAS, Re-Recording Mixer
Bob Lacivita, CAS, ADR Mixer
Watchmen • “This Extraordinary Being”
Douglas Axtell, Production Mixer
Joe DeAngelis, Re-Recording Mixer
Chris Carpenter, Re-Recording Mixer
Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation
The Mandalorian • “Chapter 2: The Child”
Shawn Holden, Production Mixer
Bonnie Wild, Re-Recording Mixer
Chris Fogel, Scoring Mixer
Modern Family • “Finale Part 1”
Stephen Tibbo, CAS, Production Mixer
Srdjan Popovic, Production Mixer
Brian R. Harman, CAS, Re-Recording Mixer
Peter Bawiec, Re-Recording Mixer
Dean Okrand, CAS, Re-Recording Mixer
The Ranch • “Fadeaway”
Laura L. King, CAS, Production Mixer
Bob La Masney, Re-Recording Mixer
Kathy Oldham, Re-Recording Mixer
Schitt’s Creek • “Happy Ending”
Bryan Day, Production Mixer
Martin Lee, Re-Recording Mixer
Space Force • “Save Epsilon 6!”
Ben Patrick, Production Mixer
John W. Cook ll, Re-Recording Mixer
Bill Freesh, Re-Recording Mixer
Outstanding Sound Mixing For A Variety Series Or Special
The Daily Show With Trevor Noah • “Jessie Reyez”
Tim Lester, Production Mixer
Patrick Weaver, Front of House Mixer
Dave Chappelle: Sticks & Stones
Brian Riordan, Re-Recording Mixer
Connor Moore, Re-Recording Mixer
62nd Grammy Awards
Thomas Holmes, Production Mixer
Mikael Stewart, Production Mixer
John Harris, Braodcast Music Mixer
Eric Schilling, Broadcast Music Mixer
Ron Reaves, FOH Music Mixer
Thomas Pesa, Stage Foldback Mixer
Michael Parker, Stage Foldback Mixer
Eric Johnston, Playback Music Mixer
Pablo Munguia, CAS, Pre-Recorded Music Mixer
Juan Pablo Velasco, Pre-Recorded Music Mixer
Bob LaMasney, Supplemental Audio Mixer
Josh Morton, Post Audio Mixer
Kristian Pedregon, Video Packages Mixer
Paul Sandweiss, Video Packages Mixer
Last Week Tonight With John Oliver • “Episode 629”
Steven Watson, A1 Production Mixer
Charlie Jones, Supervising Music/Production Mixer
John Kilgore, Music/Recording Mixer
Steve Lettie, Front of House PA Mixer
Paul Special, Music Mixer
Tony Rollins, Monitor Mixer
Dave Swanson, Pro Tools Playback Mixer
Jayson Dyer Sainsbury, Pro Tools Music Mixer
The Oscars
Paul Sandweiss, Production Mixer
Tommy Vicari, Orchestra Music Mixer
Biff Dawes, Music Mixer
Pablo Munguia, Pro Tools Mixer
Kristian Pedregon, Post Audio
Patrick Baltzell, House P.A. Mixer
Michael Parker, Monitor Mixer
Christian Schrader, Supplemental Audio
John Perez, VO Mixer
Marc Repp, Music Mix Engineer
Thomas Pesa, Orchestra Monitor Mixer
Outstanding Sound Mixing For A Nonfiction Or Reality Program (Single or Multi-Camera)
Apollo 11
Eric Milano, Re-Recording Mixer
Beastie Boys Story
William Tzouris, Production Mixer
Jacob Feinberg, Production Mixer
Martyn Zub, Re-Recording Mixer
Cheer • “Daytona”
Ryan David Adams, Re-Recording Mixer
Laurel Canyon: A Place In Time
Gary A. Rizzo, CAS, Re-Recording Mixer
Stephen Urata, Re-Recording Mixer
Danielle Dupre, Re-Recording Mixer
Tony Villaflor, Re-Recording Mixer
RuPaul’s Drag Race • “I’m That Bitch”
Glenn Gaines, Production Mixer
Ryan Brady, Production Mixer
Erik Valenzuela, Re-Recording Mixer
Sal Ojeda, Re-Recording Mixer
Tiger King: Murder, Mayhem And Madness • “The Noble Thing To Do”
Jose Araujo, Production Mixer
Royce Sharp, Production Mixer
Jack Neu, Production Mixer
Ian Cymore, Re-Recording Mixer
Academy of Television Arts & Sciences • www.emmys.com
