Wapakoneta, OH (January 2, 2013)—As part of the $30 million renovation of the historic Auglaize County Courthouse in Wapakoneta, OH, local integration firm RG Sound & Communications chose to go with the Ashly Pema 8125.70 integrated processor and amplifier as the center of each courtroom’s sound system.
Built in 1894, the Auglaize County Courthouse was in need of updating to bring its capabilities to the 21st Century, while staying true to the building’s 19th Century origins.
“One of the first things that the county officials pointed out was how long the courthouse had been serving the community,” said Shawn Snider, project manager at RG Sound & Communications. “They expected these renovations to serve on a similar timescale. That meant that we needed to design and install an audio/video system that would be sufficiently flexible to meet their unanticipated needs many years into the future. For that reason, and because they had a tight budget and limited (19th Century) closet space, we felt that the Ashly Pema, which offers eight channels of fully-featured matrix processing and eight amplifier channels in a two-rack space chassis, was the perfect choice.”
With only slight variations, the installed A/V system in each of the three courtrooms is more or less identical. Eight court-supplied microphones feed a court-supplied (and government-inspected and certified) recorder. Its mixed output feeds the first input on the Ashly Pema, and a redundant summed line feeds the unit’s second input. The remaining six inputs receive signal from an NTI audio/video matrix mixer, which is in turn fed by audio/video outputs at the lawyers’ tables and at other strategic locations throughout the courtroom. Computer control of the NTI matrix resides with the judge, who can patch any video input to any video output (including individual retractable flat screen monitors for each juror). Audio can be played in the courtroom if the judge so chooses. Because more than one video input can be selected at one time, the system accommodates multiple audio sources using the Ashly Pema’s inputs three through eight. The Ashly Pema’s eight amplifier channels power a distributed in-ceiling collection of Community DS8-series loudspeakers.
“Because no audio technician would be on hand during proceedings, we used the powerful DSP capabilities of the Ashly Pema to provide consistent, intelligible audio from the microphones and from the A/V output,” Snider said. “By using the Ashly Pema over a separate DSP/amplifier solution, we were able to help the county stay on budget. Moreover, both the NTI A/V matrix and the Ashly Pema reside comfortably on the network, making it easy for us to make changes for them remotely. The fact that we can lock out the front panel of the unit ensures that no unqualified technicians will attempt to make changes to the system.”