Hollywood Sound Systems Outfits Temple Hall

Established in 1926, Temple Israel of Hollywood continues to be a beacon for Reform Jewish traditions and values. Today this multi-purpose cultural and worship center hosts an increasingly diverse selection of events, with many taking place in its principal venue, Miller Hall.
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Los Angeles, CA (December 29, 2014)— Established in 1926, Temple Israel of Hollywood continues to be a beacon for Reform Jewish traditions and values. Today this multi-purpose cultural and worship center hosts an increasingly diverse selection of events, with many taking place in its principal venue, Miller Hall.

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The fully equipped 5,000 square foot ballroom stages a mix of live performances, cinema screenings and religious services. Clients are able to make use of an impressive AV infrastructure comprising over 200 channels of low-latency audio – which was recently the subject of a substantial overhaul courtesy of Hollywood Sound Systems (HSS).

The firm’s Brett M. Grossman served as digital systems design/programming lead on the project, and recalls that Temple Israel approached HSS with the core concept of “updating the digital technologies involved and moving forward with a best of breed audio networking solution.”

To meet the project’s unique requirements, Hollywood Sound Systems designed a system based around products from Powersoft, Symetrix and Yamaha.

“One of the most important decisions during the design process is what brands to trust,” says Grossman. “We chose Powersoft, Symetrix and Yamaha because they make our designs flexible, expandable, and dependable without sacrificing the quality of sound.”

Condensed into an “insanely small-rack space”, the Powersoft specification packs 26 channels of amplification derived from two Ottocanali 8K4s, one Ottocanali 12K4 and one Duecanali 3904.

For the FOH mixer, Hollywood Sound Systems chose a Yamaha QL5 digital audio console. Hollywood Sound Systems is very familiar with all spheres of its pro-audio range, and so also they called on the company for a new loudspeaker system, choosing the Installation Series, and consisting of six IF2112/95s, four IF3115/95s, four IH2000/95s, one IL1115 and one IS1218 and two RIO3224 units.

Managing venue-wide signal processing is a pair of Symetrix SymNet Radius AEC open architecture Dante-scalable DSPs, equipped with AES option cards, along with xIn 12 and xOut 12 Dante network audio expanders.

In the case of Temple Israel, he expects the Symetrix DSPs to have several specific benefits. For a start, the automixing capability will be a real advantage for those “smaller-scale events that basically have an operator-free set-up”. Meanwhile, the inclusion of the AEC (Acoustic Echo Cancellation) algorithm will become useful for “speech presentations, where the sound can be a bit ‘roomy’. Flipping on the AEC in a PA situation definitely allows some correction to take place.”

Hollywood Sound
www.hollywoodsound.com

Powersoft
www.powersoft-audio.com

Symetrix
www.symetrix.com

Yamaha Commercial Audio
www.yamahaca.com