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Masque Sound Supports Passion - ProSoundNetwork.com

Masque Sound Supports Passion

Masque Sound provided a custom audio package for the Classic Stage Company’s (CSC) revival of the Stephen Sonheim/James Lapine musical, Passion.
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New York, NY (May 3, 2013)—Masque Sound provided a custom audio package for the Classic Stage Company’s (CSC) revival of the Stephen Sonheim/James Lapine musical, Passion.

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Directed by John Doyle, Passion tells the story of a young Italian soldier enmeshed in a steamy affair with a beautiful married woman. When he is transferred to a remote outpost, he meets a sickly, unattractive but devoted woman. Her love leads him to rethink the nature of passion. The show recently wrapped up at Manhattan’s CSC Theater.

Sound Designer Dan Moses Schreier worked closely with Masque Sound to create an intimate experience for the audience. “From a sound design standpoint, this was a very challenging show,” said Schreier. “The theater itself is very small, with only 199 seats, and we had a nine-piece orchestra suspended over the heads of one section of the audience. It was an enormous amount of work to make it sound as clear and transparent as the show demands, and Masque Sound’s equipment and support was instrumental in helping Production Sound Mixer Josh Reid, Associate Sound Designer Nicholas Pope and myself achieve our vision.”

With the orchestra located on one side of the house, Schreier’s main objective was to create a wash of sound that would envelop the audience. That way, it wouldn’t seem as though the sound came from just one side of the house. By using reverbs very carefully, he was able to accomplish this.

At the heart of the package Masque provided was a new Yamaha CL-5 mixing console with two RIO 3224 I/O racks. With a three-section fader layout for hands-on control, the Masque Sound team felt the CL-5 would work perfectly. In addition, Masque Sound’s technical team provided all of the training and setup for Schreier and his team, helping them gain familiarity with the new console.

“One of the great things about working with Masque is its flexibility in working with different theater productions of various sizes and budgets,” adds Schreier. “We knew going in to Passion that the budget was going to be smaller than a Broadway production. Masque Sound was able to take the numbers we gave them and help us develop a package that in no way would compromise the sound of the show. The show sounded great and Masque was unbelievably supportive.”

Masque Sound
www.masquesound.com