Seattle, WA (December 23, 2013)—Pearl Jam recently wrapped up a two-month North American tour with Camarillo, CA-based Rat Sound supplying an L-Acoustics K1 system for each show.
Rat Sound’s relationship with Pearl Jam goes back to the band’s debut album, Ten (1991), when the band opened for one of Rat’s other longtime accounts, Red Hot Chili Peppers. Since then, the company has served as the group’s primary live production provider.
According to Rat Sound’s Kevin McKenzie, who has served as Pearl Jam’s system tech for the past decade, the PA deployed at each stop typically featured 14 K1 plus six KARA downfills per side with adjacent hangs of a dozen K1-SB. Additional left and right side hangs were both comprised of ten K1 and six Kara, while four more arrays of 15 Kara each provided the 270- and 360-degree reinforcement positions for most venues.
“We run across many decent-sounding ‘competitive systems’ when doing festivals in Europe and South America, but, to me, K1 is still the best tool for this show,” says McKenzie. “Compared to V-Dosc, it throws farther and a little bit wider, plus has more horsepower, which was great for a loud rock tour like this. Our signal path was fully digital at 96k between the DiGiCo SD5 house desk and LA8 amps, and the sound was always crystal clear each night with consistently even coverage delivered to every seat in the house–including those behind the stage, as most shows were sold 360 degrees.”
To augment the low end provided by the flown K1-SB arrays, eight SB28 per side were ground-stacked in front of the stage, with eight ARCS II enclosures and six self-powered 108P coaxials providing front-fill. The entire system was driven by LA8 amplifiers and controlled via L-NET.
The Lighting Bolt tour kicked off on October 11 in Pittsburgh and wrapped up with a hometown Seattle show–Pearl Jam’s first in more than four years–at Key Arena on December 6.