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Outside Lands festival continues 12-year sound partnership with Meyer Sound

Twenty One Pilots. PHOTO: Steve Jennings

American music festival Outside Lands has employed a Meyer Sound system on its ‘Lands End’ main stage since its inception in 2008.

The festival takes place in San Francisco’s expansive Golden Gate Park every August.

2019 marked the eighth time rental company UltraSound has deployed a LEO Family line array system to support the headline acts, which this year included Paul Simon, Childish Gambino, and Twenty One Pilots. This 12-year run at Lands End underscores the close working relationship the sound providers have forged with the festival’s promoters, Another Planet Entertainment and Superfly.

“It’s a relationship that goes back to the beginning of Outside Lands,” said UltraSound director of operations Josh Osmond. “Since this event is held right in the backyard for both our company and Meyer Sound, it just makes sense. It’s been a no-brainer for us all the way around.”

Speaking on behalf of Another Planet Entertainment, production director Mary Conde noted: “In the beginning, when we were carving out roles and responsibilities for vendors, I was insistent on using UltraSound and Meyer for the main stage. We knew that the quality had to be there, it could not fail, and it had to be great from the first note to the last. I’m happy we made that decision, and every year it just gets better.”

PHOTO: Steve Jennings

Prior to this year’s event, the promoters held several community meetings to address concerns about sound bleed into adjacent residential neighborhoods. As a result, the LEO Family system at ‘Lands End’ was reconfigured to maintain uniformly high levels across the audience area while better confining broadband sound within the festival boundaries. The main front arrays of, per side, 13 LEO over three LYON-W line array loudspeakers were boosted by two sets largely down-firing delays. The near set comprised three towers, each with 11 LEO over three LYON-W loudspeakers; the far delay system had two towers, each with six LYON-M over six LEOPARD loudspeakers. This configuration enabled maximum control of level adjustments when required.

Rounding out the full range complement were side hangs each with 10 LYON line array loudspeakers (six LYON-M and four LYON-W) plus 16 LEOPARD for front lip and L/R front fill. Dual flown gradient arrays of nine each 1100-LFC low-frequency control elements joined with 10 1100-LFC elements in a 5×2 ground arc to deliver low-frequency punch. VIP areas were served by a mixed inventory of 34 loudspeakers including UPA-1C, UPJ-1P, LEOPARD, CQ-1, and UPM-2P. The VIP DJ system comprised six LINA line array loudspeakers coupled with four 900-LFC low-frequency control elements.

The LEO Family system was a welcome sight for Kenny Sellars, FOH engineer for Twenty One Pilots, as the band had toured with a similar rig the prior year. “It’s always nice to walk in and see a familiar rig because then you know what to expect,” said Sellars. “One thing I always appreciate about a Meyer Sound PA is the self-powered aspect. I can’t say enough about the transient response, how fast and tight everything sounds. I mean, when your speaker cable is a foot long, you don’t lose much between the amp and the speaker. I can pick out and hear depth in my mixes I don’t always get from other PAs.”

Sellars is also enamored with the system’s bass impact. “The low-end information I get from the 1100s is amazing. When the kick drum hits, it just slaps you right across the chest. It’s everything I’ve always wanted from subs.”

PHOTO: Steve Jennings

UltraSound also equipped The Barbary tent, a “comedy and variety” venue hosting an eclectic mix of acts including Mike Birbiglia, Tony Danza, and Jimmy O. Yang. The system here was anchored by eight LEOPARD line array loudspeakers per side, bolstered by two CQ-1 and four UPM-2P loudspeakers, and with four 900-LFC elements for deep bass.

“The Barbary stage has become a very popular venue,” reported Conde. “We have great stand-up comedians along with a series called D.A.V.E. – Discussions About Virtually Everything. Usually, it’s one person with one microphone and there’s no room for error. It has to be right from the get-go.”

Over the past dozen years, the working relationship developed between the main stage sound providers and the event promoter illustrates a collaborative approach to problem-solving and enhancing the audience experience.

“We work closely with Mary and Another Planet on next year literally from the day this festival ends,” said UltraSound’s Osmond. “Every year we strive to improve, and we continue working through the year to make the next Outside Lands even better.”

“I’m always pleased by our partnership with Meyer Sound and UltraSound,” added Conde. “We bring in Meyer Sound when it really has to be perfect, as it must be at the main stage of our marquee festival.”

A third Meyer Sound system was deployed at the GastroMagic stage, in this case as supplied by McCune Audio/Video/Lighting of South San Francisco. Here, the mixture of food talk (Molly Baz, Roy Choi) was spiced by music from the likes of Cherry Glazerr, Ella Mai and Adam Duritz. The system here tallied 16 LEOPARD line array loudspeakers and six 900-LFC low-frequency control elements.

The Outside Lands Festival celebrates the San Francisco traditions of eclectic music, fine food and drink, art, and the exploration of new ideas. It takes its name from the far western parts of the city, today including most of Golden Gate Park, that was once largely covered by sand dunes and considered uninhabitable by early settlers.