Chicago, IL (June 21, 2021)—Lectrosonics’ D Squared line was in the mix when Chicago Opera Theater live-streamed La Hija de Rappaccini, a contemporary opera based on a Nathaniel Hawthorne story composed by Daniel Catán, this past April.
Chicago Opera Theater’s audio and video production partner Valhalla Media teamed with location audio experts Second City Sound on A/V support for the performance, which streamed from the Field Museum of Natural History, in keeping with the botanical theme. Lectrosonics DBSMD transmitter-recorders fitted to the cast members were picked up by a pair of DSQD four-channel receivers. DCHT portable digital stereo transmitters joined an M2T for monitoring by the conductor and mission-critical crew via M2R receivers.
“Midway through the pre-production process, we found out that the opera would be live at the Field Museum,” says Nikolas Wenzel of Valhalla Media. “This presented all sorts of logistical challenges for coverage. My first thought was that for reinforcement of the vocalists, we were going to need something stable, reliable, and easy to use between different levels of the museum. One of the performance levels was on the floor of the great hall and another was tucked off up to the side.”
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“One thing viewers of the stream didn’t see was that the Field Museum was active and open to the public during the show run,” adds Gerry Formicola of Second City Sound. “This meant that everything had to be set up each day, then struck and stored. The fact that the Lectro system was so quick and easy to get up and running made a huge difference here.”
“I was the guy who had to deal with all of that,” comments audio director Brad Galvin. “Twenty, maybe 25 minutes and we were good to go every time.”
The wideband range of the D Squared hardware was even more key to ensuring the cast’s singing was captured without a hitch. “Chicago may not be the worst place in the country in terms of RF density, but it’s certainly not the best. So, the name of the game is bandwidth because you tend to spread channels all over the spectrum,” says Galvin, who first encountered Lectrosonics while working with Formicola on the Oprah Winfrey show. “I did all the control from the Wireless Designer software, which I’d never used before. I was amazed at how easy it was to use.”
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