Firehouse Productions Supports Latin Grammy Awards
Audio provider fielded a quartet of DiGiCo desks.
Post and Broadcast
SMPTE 2018 a Success at New Venue
Held at a new venue, the event included annual membership meeting, Women in Technology Luncheon and more.
VRT Revs Up OB Trucks with Stage Tec
New updates help VRT get more mileage out of truck consoles.
MPSE to Honor Stephen H. Flick’s Career
Flick’s career includes such modern classics as Die Hard, Robocop and Poltergeist.
Six Trucks, Six Calrec Consoles
New fleet will handle variety of projects including major league soccer broadcasts.
College Gets Immersed with Genelec
Valencia College has added four 7.1.4 studios for students.
Cinematic Media Post House Opens in Mexico City
Facility was built from the ground up modeling Hollywood facilities and workflows.
From Elektra to Electric
By Steve Harvey. Taking over the former home of Elektra Records, Electric Entertainment is ready to roll.
Audio Post Faces Raised Expectations, Fallen Budgets
By Steve Harvey. In the world of audio post production, from commercials and television to major motion pictures, two things are increasingly certain: budgets—or lack thereof—and Dolby Atmos. Pro Sound News talks to pros to find out what’s they’re seeing day-to-day and in the larger picture.
Sound for Film Takes Center Stage
By Steve Harvey. The annual ‘Mix Presents Sound for Film & TV’ event at Sony Pictures covered a lot of ground for the hundreds of pros in attendance, including editing for animation, mixing dialog, building an immersive room, women TV & film composers, and more.
Miking Ricky Skaggs at the CMAs
Skaggs’ CMA set brought old- and new-school performers together for a show highlight.
CBN Updates Production Facilities
The two desks handle audio duties on roughly 25 shows a week.
Miking Mission: Impossible—Fallout
As the explosive hit comes to video, production sound mixer Chris Munro talks miking MI:6.
Inside the Audio of Doctor Who
By Kevin Hilton. Through the years, galaxies and countless adventures, Doctor Who - the character and the TV series - has changed and been reinvented.
Bloch Tackles Capturing Audio for Football Documentary
Complicated documentary shoot required capturing audio across three gridirons.
NFTS Educates on TV Loudness Specs
Ensuring students know industry deliverable standards is among insights taught at NFTS
Sugar Studios Expands to Streamline
By Steve Harvey. Rising post-production company Sugar Studios recently expanded its mixing facilities in LA's Wiltern Tower, building a Dolby Atmos room and more, reinventing itself as a streamlined, all-in-one production facility.
Mixing Netflix's 'The Haunting of Hill House'
Jonathan Wales created a Dolby Atmos upmix for the hit horror series.
“Hero” Sound Supervisor Performs CPR on Soccer Legend in TV Studio
By Steve Harvey. Sound engineer performs CPR after sports commentator has heart attack in studio.
The Wireless of Splitting Up Together
Production sound mixer Bryan Sol Aponte talks capturing the ABC comedy.
Full Sail Live Venue Adds Broadcast Mix Options
Full Sail builds out broadcast possibilities with new console acquisitions
At AES: Tom Fleischman Wants His Work to Be Invisible (on Screen)
By Katie Makal. Tom Fleischman discussed his re-recording work on HBO's Boardwalk Empire.
Halloween Film Screens with Live Foley
Based on a Washington Irving story, the film is screening in Sleepy Hollow.
Duck, Duck, Stage Tec
Swiss broadcaster, Stage Tec collaborate on workstation for tackling four parallel workflows.
AES Details Broadcast and Online Delivery Track
From consumer audio delivery to The War of the Worlds, there's something for every pro.
Koubridis Considers Miking for Immersive Sports Coverage
As viewers' expectations change, so must miking decisions.
SourceAudio Offers YouTubers Whitelisting
New music licensing effort aims to help users avoid YouTube infringement takedowns.
Before Noon Post Decked Out in Dante
Busy animation audio post house rolls with RedNet.
SMPTE Publishes Immersive Audio Standards
SMPTE's new SMPTE ST 2098 standards for immersive audio are out.
Audio for Cinema Track Set for Upcoming AES Convention
All-star master classes, panels and more have been lined up for this year's AES Convention.
Music/Post Audio Pro Bruce Barris, Dead at 60
Journeyman audio pro segued from studio engineering to film sound career.
The Rules and Tools Behind the Mixes of 'The Darkest Minds'
By Steve Harvey. Working on "The Darkest Minds," co-supervising sound editors Will Files and Warren Hendricks were challenged to give the characters’ mind control powers individual sonic signatures with a good or evil twist.
Podcaster Offers Success Via Focusrite
Podcast turns to Focusrite to get specific show sound.
Frank Serafine, Sound Designer, Dead at 65
By Steve Harvey. Nominated for Academy Awards for both Tron films, Serafine won for his sound design work on The Hunt for Red October.
Focusrite is in the House
Across 12 years and 90-plus episodes, every performance on Live From Daryl’s House has been recorded using Focusrite mic pres.
GameSoundCon Adds VO Track
Recognizing the importance of dialogue in modern gaming, a new voiceover track has been added to GameSoundCon.
Sound Emmy Winners Announced
By Steve Harvey. Shows taking home Sound Editing and Mixing awards included Atlanta, Stranger Things and Black Mirror.
Roger Federer Gets Into Farm League
Commercial production company Farm League called on music producer Money Mark to transform Roger Federer's love of tennis into music for a spot for Wilson's newest tennis racket.
Composer Sven Faulconer Outfits New Studio with ATC Monitors
Faulconer’s new studio was only recently completed, and he’s using ATC SCM45A three-way nearfields for the all-important left-center-right loudspeakers.
Inside the Immersive Mixes of Mamma Mia: Here We Go Again
By Steve Harvey. Making the immersive mixes for this summer's hit movie musical was no simple matter.
CAS to Honor Production Sound Mixer Lee Orloff
The 55th CAS Awards will be held on Saturday, February 16, 2019, in Los Angeles,
Atlantic Screen Music Expands
The house behind scores for Atomic Blonde, Churchill, Escape Plan and Forsaken is growing.
Posting Elton John On The Road
Tackling end-to-end post for Elton John on tour is no simple matter.
120dB Covers eSports with SSL System T
Aiming to improve its eSports coverage, 120dB recently outfitted a new broadcast/recording truck.
Composer Goes Solo with ATCs
After composing for Netflix and National Geographic, Sven Faulconer recently finished assembling his own personal studio.