Post and Broadcast

Production music house and indie label team up.

Providing live sound for an audience comprised of the top music artists and executives is no easy task.

By Steve Harvey. Some increasingly familiar films nabbed trophies on Sunday night.

By Steve Harvey. Gimlet and Anchor get pocketed by Spotify as it bets big on podcasts.

Axient Digital mics used for referee calls, pre-game events and halftime show.

By Steve Harvey. KJZZ’s Soundbite is a combination food truck / performance stage / radio broadcast studio, able to serve up audio, video, artists and hot dogs with ease.

Emerging production truck fleet standardizes on Calrec desks

Motion Picture Sound Editors has announced the nominees for its 66th Annual MPSE Golden Reel Awards.

By Steve Harvey. The 91st Academy Awards nominations were announced, including the sound editing and mixing categories.

Florida’s WBBH and WZVN stock up on consoles in case of emergency.

IP-based live production is stepped up at computer club event.

Creating a Tonmeister-like TV program, the university updated its television studio.

By Clive Young. A second-generation film sound engineer, Gregg Rudloff apparently took his own life.

By Steve Harvey. This year's awards will be presented on Saturday, February 16, 2019.

The audio team on the current animated hit used top equipment, Sony Pictures’ mix facility and a hand drill when working on the film.

By Steve Harvey. Gimlet Media opened a production facility in Brooklyn in 2018 that features a dozen podcast studios, a recording studio, a conference room, a lounge and more, all designed by Walters-Storyk Design Group.

The audio team of the recent remake of A Star is Born recounts the challenges of recording live vocals for the entire film, and filming live/mimed scenes onstage at Coachella and Glastonbury.

After starting out working on Ice Cube and Jeff Buckley albums, Chris Curran has turned his sights to podcast education.

By Clive Young. Professional podcasting has become big business and its audience is only increasing—48 million Americans now listen to podcasts weekly. As a result, the need to provide a quality listening experience is growing, too, and the pro audio industry is answering the call.

PTSD film Discharge needed balance between score and dialogue.

Audio-Technica mics were used in a variety of ways during the annual CMA TV special.

Audio provider fielded a quartet of DiGiCo desks.

Held at a new venue, the event included annual membership meeting, Women in Technology Luncheon and more.

New updates help VRT get more mileage out of truck consoles.

Flick’s career includes such modern classics as Die Hard, Robocop and Poltergeist.

New fleet will handle variety of projects including major league soccer broadcasts.

Valencia College has added four 7.1.4 studios for students.

Production console was key to multiple levels of redundant backup plans.

Facility was built from the ground up modeling Hollywood facilities and workflows.

By Steve Harvey. Taking over the former home of Elektra Records, Electric Entertainment is ready to roll.

By Steve Harvey. In the world of audio post production, from commercials and television to major motion pictures, two things are increasingly certain: budgets—or lack thereof—and Dolby Atmos. Pro Sound News talks to pros to find out what’s they’re seeing day-to-day and in the larger picture.

By Steve Harvey. The annual ‘Mix Presents Sound for Film & TV’ event at Sony Pictures covered a lot of ground for the hundreds of pros in attendance, including editing for animation, mixing dialog, building an immersive room, women TV & film composers, and more.

Skaggs’ CMA set brought old- and new-school performers together for a show highlight.

The two desks handle audio duties on roughly 25 shows a week.

SSL system added to rental company’s offerings.

As the explosive hit comes to video, production sound mixer Chris Munro talks miking MI:6.

By Kevin Hilton. Through the years, galaxies and countless adventures, Doctor Who - the character and the TV series - has changed and been reinvented.

Complicated documentary shoot required capturing audio across three gridirons.

Ensuring students know industry deliverable standards is among insights taught at NFTS

By Steve Harvey. Rising post-production company Sugar Studios recently expanded its mixing facilities in LA's Wiltern Tower, building a Dolby Atmos room and more, reinventing itself as a streamlined, all-in-one production facility.

Jonathan Wales created a Dolby Atmos upmix for the hit horror series.

By Steve Harvey. Sound engineer performs CPR after sports commentator has heart attack in studio.

Production sound mixer Bryan Sol Aponte talks capturing the ABC comedy.

Full Sail builds out broadcast possibilities with new console acquisitions

By Katie Makal. Tom Fleischman discussed his re-recording work on HBO's Boardwalk Empire.

Based on a Washington Irving story, the film is screening in Sleepy Hollow.

Swiss broadcaster, Stage Tec collaborate on workstation for tackling four parallel workflows.

From consumer audio delivery to The War of the Worlds, there's something for every pro.

Spanish broadcaster doubles down on System T systems.

UK console manufacturer makes inroad in India.