Post and Broadcast

The famed studio architect will speak about his work creating podcast facilities for Stitcher and Spotify’s Gimlet Media at this year’s The Video Show in Washington, D.C.

Two consoles have been installed in Nash’s Facility.

Polanco will oversee the facility's ongoing build-out.

Mixing for Netflix, Amazon Prime and overseas outlets, Corpus aims for compliant audio.

The organizations are sharing specific educational resources between their memberships.

Cinematic Media’s new post production facility, part of GGM Estudios in Mexico, will house eight Dolby Atmos-certified stages and cutting rooms.

DAP worked with FM Design, Avid and Meyer Sound to update the facility.

Project aims to provide editors with faster access to production music.

“Mixing for eSports is dramatically different than live sports.”

Recognition bolsters audio post house’s first self-produced TV Series.

By Steve Harvey. The program for this year’s sixth annual Mix Sound for Film & TV event, a sold-out affair that attracted 650 attendees to the Sony Pictures Studios lot, offered a twin focus—immersive audio and IP networking—that reflects concerns of today’s audio industry.

By Steve Harvey. Earlier this year, after a decade of planning and fundraising, flagship NPR station KCRW relocated its studios and staff to a new purpose-built, $38 million KCRW Media Center.

Sim Post recently added seven rooms and turned to Focusrite to keep them connected.

Green Street adds Atmos, Genelecs to ensure it’s up for modern game work.

Brazil’s Estudio Movel has launched a new OB vehicle named PowerTruck.

“Quentin gave us the flexibility to experiment with newer vinyl, digital and broadcast recordings, with the caveat that it had to be the exact pitch and time as his original to ensure there was no disjointed audio.”

From problems to best practices, this Game Audio session explored VR, MR and AR audio challenges from all angles.

Series looks at technical aspects of shooting a music video.

Company to be awarded at 71st Engineering Emmy Awards on October 23.

China Central Television’s broadcast of the 2019 Dragon Boat Festival was captured with the aid of Lectrosonics wireless gear.

Chief among TSL’s highlights will be presenting new modes of operation for its SAM-Q Audio Monitoring platform.

Two new facilities will handle news and entertainment programming.

The JT-NM Tested program is designed to provide those who want to deploy IP technologies with insight into how respective technologies interoperate and how they adhere to the relevant SMPTE standards.

By Steve Harvey. With less than 10 months remaining before the Tokyo 2020 opening ceremony, the Olympic Games is shaping up to be a record-breaking event, with Olympic Broadcasting Services (OBS), the permanent host broadcaster, set to produce an unprecedented amount of content across all delivery platforms.

Lawo has a growing partnership with Game Creek Video.

“All the breathing, all the grunts, all the noises actors are making due to their physical efforts—in the video game world, that stuff is gold.”

Foley pros are tapped for panel at NAB NY, which will co-locate with the AES Convention.

By Steve Harvey. Chicago's Periscope has acquired Sonic Pool's former 22,000-sq-ft. Hollywood complex and is building out a full-service post house, with an Atmos room already working on a streaming show. General manager Ben Benedetti and co-owner Michael Nehs share the company's plans and accomplishments to-date.

Console helps uncover artifacts without adding any to audio.

The Oscar-winning sound editor and Paramount Pictures executive will be recognized for her contributions to the field.

A collaboration on behalf of the New York Times has reaped rewards for the new-in-town outfit.

AI addition to Audio Network aims to result in deeper searches.

Name change reflects stronger alignment with Universal Music Group.

Comms and signal transport for two German Esports events were handled with Riedel gear.

HBO dominated in the Sound categories at this year’s Creative Arts Emmy Awards.

The podcast distributor’s new WSDG-designed studios are outfitted with a slew of Allen & Heath desks.

The JT-NM Tested program offers prospective purchasers of IP-based equipment insight into how vendor equipment aligns with the SMPTE ST-2110 and SMPTE ST-2059 standards.

Growing production music company adds multiple composers.

By Steve Harvey. Peek inside Human, the music and post shop that has opened a new location in Chicago in a former music production studio.

Challenges with the film included capturing the sounds of high-end bicycles and dealing with an unusually long take with no cuts.

The new stream monitor will debut at IBC.

WAM’s fifth conference was its first focusing on sound for animation, film, television and games.

More than 30 participants are making progress toward interoperability via the plugfest.

A philosophy of avoiding too much processing and aiming for well-articulated mixes is reflected in his work.

New audio production company takes aim at video games.

Swiss broadcaster’s overhaul brings radio and TV operations together.

Producer Sebastian Robertson and Sonic Beat Records team with Killer Tracks.

Legendary sound designer to share insights, experiences at top production sound event.

Headed to SMPTE’s annual technical conference? Here’s what you’ll be doing there

Taiwan’s answer to the Grammys turns to DPA for ceremony.