Post and Broadcast

The nominees for 2019 have been named.

Post audio house details approaches used for tacking indie production sound.

Podcast creation company adds new production facilities in NYC.

The worldwide smash had its audio post work completed at Sony Pictures Post Production Services.

Foley specialists collaborate with supervising sound editors Daniel Timmons and Tony Volante in re-creating the sounds of the Broadway and film magic.

By Steve Harvey. Having long provided audio post for reality TV staples like Gold Rush, Manhattan-based audio studio Hobo has launched a long-form original content development company, Hobo Films, that’s finishing work on the pilot for its first dramatic series, The System.

The South African audio post facility is now attracting clients who need surround deliverables.

LMG expands its fleet with acquisitions, retaining staff and facilities.

NEP bows next generation sports broadcast mobile units.

China Central Television (CCTV), the country’s largest TV broadcaster, has added a number of Lawo consoles.

By Becky Roberts. For the second year in a row, Sky broadcast the UK’s Isle of Wight music festival in Atmos—here's how they did it.

Firehouse Productions tackled audio for the annual ceremony.

Competition show is now a Voice with range.

A recent live-streamed performance at Atlantic Studios NYC found Why Don’t We using Lewitt mics.

New Sci-Fi comedy aimed for dynamic mix with “lots of silly sounds mixed in.”

TV Revivals of All in the Family and The Jeffersons were captured with Shure mics.

New York Digital kept Lollapalooza Brazil in São Paolo connected.

The room is primarily used to mix and master Pure Audio Blu-ray Disc music releases.

Riedel provided intercom and signal distribution for Eurovision for the 14th time.

Salt Lake City-based PBS station nets new desk.

Broadcaster Star TV bolstered its OB arrangements after acquiring broadcast rights to Indian Premier League cricket.

Part Two of the Dolby Atmos Workflow: Audio Track Management and Delivery takes place later this month!

By Steve Harvey. Full Sail University’s new $6 million, 11,000-plus-square-foot esports arena, The Fortress, is the largest such facility on a college campus in the United States. It’s part of the media arts and technology college’s Dan Patrick School of Sportscasting studio facility.

Is AI coming for your broadcast audio job? No, but it could speed up the boring parts.

Production sound mixer Philipp Sehling makes jerks sound the best he can.

Location recordist aims to reduce frequency use.

Much of the annual three-day event was mixed on eMotion LV1 live mixers.

Yahoo Finance, Yahoo Sports, Huffpost, Yahoo News, RYOT, Engadget, Tech Crunch and Makers could all potentially use the newly renovated studios.

New OB van helps get Danish X Factor in the can.

Boutique post house upgrades facility to accommodate Atmos.

New post audio facility aims to ride ongoing expansion in motion picture and television production in Mexico.

Reality programming is the intended focus of In Reality, a new production music label.

The Netherlands radio station renovated its on-air studio with a new console.

The annual video game sound event will return to Los Angeles in October.

The Mets’ TV crew field DPA mics at CitiField.

Social media ad campaign gets audio boost from Mazur, Ambroff.

"Apocalypse Now" is celebrating its 40th anniversary with a newly edited cut enhanced by new technologies including Dolby Vision, Dolby Atmos and Meyer Sound Sensual Sound.

Montreal's Maison de Radio-Canada (MRC) broadcast center is intended to be a creative hub for the city's digital and artistic communities.

By Steve Harvey. The streaming provider takes its audio offerings to the next level.

French sports channel nets new consoles.

Lawo gear was installed in this Rwanda station’s new studio facility.

Mexico’s Televisa is upgrading the equipment at its facilities in San Ángel with IP-based mixing and routing systems from Lawo.

By Steve Harvey. Cyro used Nugen Post to control the consistency of the mix of Netflix’s 'Super Drags,' reportedly the first show in South America to use Dolby Atmos.

By Steve Harvey. Podcast network Stitcher recently moved into its new headquarters in Midtown Manhattan, building out a 2,000-square-foot production complex comprising three studios, two edit rooms and two iso booths designed in concert with WSDG Walters-Storyk Design Group.

A new production music catalog will originate entirely from the famed facility.

Seven is a lucky number as facility updates mix rooms to Atmos.

Esports’s popularity and production demands are on the rise everywhere.

The full-IP broadcast facility is set to open this fall.

Broadcast audio gear manufacturer celebrates 50 years of changing with the times.

The system will be among the largest in North America.