After 500 Episodes, ‘Grumpy Old Geeks’ Has a Slick Audio Workflow
As its gear and best practices have evolved, the long-running 'Grumpy Old Geeks' podcast has gotten production down to a science.
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As its gear and best practices have evolved, the long-running 'Grumpy Old Geeks' podcast has gotten production down to a science.
The Cinema Audio Society has announced its nominees for the 56th Annual CAS Awards for Outstanding Achievement in Sound Mixing for 2020.
Sound teams from some of the biggest movies of the year, from 'Mank' to 'Judas and the Black Messiah,' were onhand to discuss their work at the Mix Sound for Film & TV Awards Season event.
The Motion Picture Sound Editors has named nominees for its 68th Annual MPSE Golden Reel Awards, taking place Sunday, April 16, 2021.
Chasing reality TV productions around the world, sound mixer Stu Chacon brings along a lot of wideband wireless equipment for every occasion.
Audio engineer Josh Rogosin keeps NPR's ‘Tiny Desk Concert’ podcast series alive during remote-based COVID times.
Producer/engineer Rob Tavaglione explains how he repairs spoken-word recordings with iZotope Rx 8 Advanced in this real-world review.
Moving from radio to podcast format changed how Kelcey Ayer approaches his multi-character, improv-informed comedy show.
Supervising sound editor and sound designer Wylie Stateman oversaw four teams working on the recent Netflix hit The Queen’s Gambit.
Producer and editor Dylan Fagan amassed dozens of tracks to shape a cohesive sound that underscores the saga of the first arctic explorers.
Exploring the construction and meaning of popular music, the 'Switched On Pop' podcast is an audio mixing challenge.
Pro Sound News, Mix and Radio World have joined forces to hold the first Pro Audio & Radio Tech Summit, an all-day virtual event to be held April 1.
U.K.-based industry designer Glenn Haddock has launched a new company, Soundz Fishy, to focus on audio desk design, from providing off-the-shelf accessories in partnership with vendors, to custom-made desks.
Re-recording mixer D.J. Lynch and supervising sound editor Rob McIntyre have 19 Emmys between them; now they’ve opened their own Sound Rebels facility in Burbank, CA’s media district.
Sound mixer Roland Winke’s recording rig helped immerse viewers in the world of chess for the Netflix miniseries "The Queen’s Gambit."
The long-running podcast series, Longform, is a master class in interviewing that's bolstered by tasteful editing.
A Calrec Artemis Beam console is being used on a popular reality show in its fourth season, installed in a studio with a major U.S. network.
Panelists are sporting Shure headset microphones on the Fox TV series The Masked Dancer and The Masked Singer.
After recording the first season of Rarified Heir before the pandemic, the production team behind the quirky podcast will track season two remotely.
A new screening room on Netflix’s campus uses Meyer Sound's new Ultra Reflex cinema audio solution technology.
Podcaster Christopher Fitton has learned the audio ropes while racking up 2 million listeners every month with his hypnotherapy show, 'Sleep Cove.'
Canadian broadcast equipment company Evertz Technologies Limited is purchasing the legacy recording/broadcast studio gear brand Studer from Harman Professional Solutions.
Flock Audio’s Patch System aids composer Neil Parfitt in accessing custom signal chains during production.
Sound supervisor Daniel S. McCoy CAS complied with IATSE Covid-19 guidelines on the set of America's Got Talent 2020.
Rick Rubin's Broken Record podcast has seen the music industry icon interview everyone from The Black Keys and Leslie Odom Jr. of Hamilton to fellow producers like Dave Cobb and Wyclef Jean. Shaping and editing hours of raw material...
The Recording Academy has pushed its 63rd Annual Grammy Awards broadcast to Sunday, March 14, 2020, due to COVID-19 concerns.
Faced with COVID restrictions, Euroconcerts changed its miking approach to capture live and recorded events.
Go on location with the producers behind podcasts for National Geographic, Outside and more
Netflix’s recent “Women in Sound” panel featured a panel of women working in post production, dubbing and music sharing their experiences in the industry.
New York City’s Anyway Café is cute, quirky and the subject of a new web series pilot, Anyway Stories, where musical production mixes were tackled remotely by broadcast event mixers John Harris and Jody Elff.
There’s been no end to the new podcast mics this year, so here’s every new podcast microphone we covered in 2020
The podcast, based on the hugely successful ‘Freakonomics’ books, stays on track thanks to its highly organized workflow.
Grammy, Emmy and Peabody Award-winning broadcast and mix engineer John Harris has transitioned to a remote mixing environment.
Audio technology helps 'Twenty Thousand Hertz' explore how we experience sound in the modern world, aiming to "bring joy to sound itself."
Free Mix Sessions webcast to take place on December 15, featuring supervising sound editor Wylie Stateman and film editor Billy Fox.
Despite shelter-at-home orders, the new Sony 360 VME technology kept audio post for the upcoming 'Ghostbusters: Afterlife' and 'Venom: Let There Be Carnage' films on track and on time.
Turkuvaz Media Group has tapped Lawo as its premiere technology supplier for a newly updated media center facility in Istanbul.
M&J doubles down on going up, creating the first vertically expanding broadcast truck.
Record producer Steve Greenberg (Jonas Brothers, Joss Stone) dives into the making—and mythology—of pop music on the Speed of Sound podcast.
Button up your podcast workflow with insights from the teams behind The Dave Ramsey Show; All American: Tiger Woods; Mogul: Mixtape; and Story Pirates.
Community radio station Bosveld Stereo is the first station in South Africa to deploy Calrec’s IP-based Type R for Radio.
The Black News Channel broadcast center in Tallahassee, FL is equipped with Clear-Com throughout.