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Digital Arts NY Grows Staff and Services

New York City-based post house broadens its reach.

New York, NY (August 14, 2019)—Award-winning Manhattan-based post production house Digital Arts, which specializes in audio and image finishing from 8K to HD, as well as sound design and mixing, has added a handful of former Nutmeg Creative staff members to its roster.

Joining Digital Arts NY from Nutmeg Creative are senior producer Lauren Boyle; sound designer/mixers Brian Beatrice and Frank Verderosa; colorist Gary Scarpulla; finishing editor/technical engineer Mark Spano; and director of production Brian Donnelly.

“I am excited to bring on this experienced group with such a vibrant team culture, to the Digital Arts family, and to our clients,” says Axel Ericson, owner/CEO, Digital Arts.

Boyle adds, “We’ve brought the best of Nutmeg to Digital Arts so that we can extend the best of Digital Arts to both our production and post-production clients.”

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The former Nutmeg team has hit the ground running servicing their long-time ad agency, network, animation and film studio clients. Scarpulla worked on color for HBO’s VEEP and Los Espookys; while Verderosa has been working with agency Ogilvy on several IKEA campaigns; and Brian Beatrice mixed spots for Tom Ford’s prestigious cosmetics line.

As part of this expansion, Digital Arts will unveil additional infrastructure featuring an ADR stage/mix room. The current facility boasts several audio suites, the company’s 4K finishing theater/mixing dubstage (reportedly the first on the East Coast), four color/finishing suites and editorial and production space, which is spread over four floors.

In addition, Digital Arts’ in-house theater/mixing stage has proven to be a resource for numerous TV productions including recording recent commentary sessions for Game of Thrones and the final season of VEEP.

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Digital Arts also recently expanded its offerings to include production services. The company has already delivered projects for agencies Area 23, FCB Health and TCA.

“Digital Arts’ existing infrastructure was ideally suited to leverage itself into end-to-end production,” Donnelly says. “Now we can deliver from shoot to post.”

Digital Arts •