Facility tackles audio books, ADR and more.

London, UK (February 21, 2019)—Audio post-production house SNK Studios, on the outskirts of Soho in central London, has outfitted its ADR, voice-over recording, sound design, and television and cinema commercial music and mixing facility with a plethora of Focusrite gear.

“We’ve had a very long relationship with Focusrite gear, since having our first studio setup about 15 years ago,” says studios director and company co-founder Seb Juviler. “That studio had the original ISA 428 preamp, which had just been released by Focusrite. We’ve stuck with the ISAs ever since.” Additionally, the site has its fair share of Red audio interfaces, and RedNet range of Dante-networked audio converters as well.

Focusrite Feels the Love

The SNK facility, which was built by London-based Miloco with equipment supplied by reseller Jigsaw24 and Scrub / HHB, also houses several dedicated audio book suites. “They all have an ISA One and are recording hundreds of audiobooks a year,” reports Juviler. SNK currently features four main audio post-production suites delivering short-form commercial audio for agencies and brands and ADR for dramas and features, each equipped with a Focusrite ISA Two dual mic preamp, he says. Plus they have additional 5.1 mix rooms and tracklay and prep systems often deploying Focusrite Scarlett IO. This network of interfaces connects the facility’s over 20 Pro Tools systems.

Paired variously with Audio-Technica, DPA, Neumann, Sanken and Sennheiser microphones available in the nine voice-over booths throughout the building, the Focusrite ISA preamps have served a long list of audio book clients, including Audible, Penguin Random House UK and US, Scholastic, Macmillan and others. They are also used for SNK’s foreign dubbing and international versioning work — including shows destined for streaming platforms and international broadcasters.

“Then we’ve got the Atmos suite, which has two ISA 428 Mk II four-channel preamps,” he adds. The Dolby Atmos room, designated Studio 7, is the result of a collaboration between Dolby Europe, acoustician Nick Whitaker, Miloco Builds and speaker manufacturer ADAM Audio. It was completed in 2017 and is Dolby-certified to handle short-form commercials for television and cinema presentation, typically in 5.1 and 7.1, Juviler says.

Studio 7 features several Focusrite RedNet interfaces that provide access in to and out of the room’s Avid Pro Tools HDX systems. “We worked closely with the guys at Jigsaw who spec’d the room,” says Juviler. “The RedNet interfaces offer the ability to handle the quantity of channels and objects for Dolby Atmos. Plus, the product line is very modular, so you can pick and choose what you need. Jigsaw were keen to use RedNet for that reason.”

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