Flexible Engineering Helps ‘Story Pirates’ Sail to 20M Downloads
Unconventional recording and editing approaches have helped the ‘Story Pirates’ Podcast keep its ships aligned.
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Unconventional recording and editing approaches have helped the ‘Story Pirates’ Podcast keep its ships aligned.
Recording Led Zeppelin icon Robert Plant in challenging locations, 'Digging Deep' producer Matt Everitt keeps the audio consistent no matter what.
Building out new recording facilities for developing game audio, Sumo Digital went big on PMC monitors.
A quality voiceover microphone is an investment in your career, regardless of whether you're just using it for auditions or to ensure you can provide 'broadcast quality' VO work from home.
Gene Martin used a DPA 4097 microphone to tackle a challenging commercial shoot during the Coronavirus pandemic.
Game Creek Video has launched four new mobile units in the last year, with a fifth nearing completion, that all use Riedel Communications' MediorNet FusioN IP gateway solutions.
Vaudeville Sound takes an immersive approach to the Amazing War Stories podcast, taking listeners from the living room to the front lines.
A well-oiled workflow paved the way for Stitcher's golf podcast, 'All American: Tiger Woods,' to stay on track after the pandemic forced the production team to work remotely.
The annual Mix Sound for Film & TV event moved online this year, successfully recreating the physical experience with nary a glitch during its two-day premiere.
5.1 games are increasingly common, but Shenzhen Leiting Digital is already looking at the next step as it develops the titles of tomorrow.
Hackman Capital Partners (HCP) has agreed to invest £300 million over the next three years to develop Eastbrook Studios London.
Mobile TV Group has added a third FLEX mobile unit to its fleet of 30-plus OB trucks, equipping 47 FLEX with Calrec digital audio products
ATK Versacom recently provided comms powered by RTS VLink for the upcoming season of a primetime vocal talent TV show.
MixOne Sound recently delivered live broadcast mixes of Chaka Khan using an Allen & Heath dLive.
Picking podcast microphones for your studio can be overwhelming, so let's examine the pros and cons of each style of mic to determine the best fit for you.
Camp Monsters producer Chelsea Davis says the secret to making your sound effects really scary is one word: restraint.
Netflix’s hot new comedy series, Sneakerheads, has a head-spinning hip-hop/trap score; composer Haim Mazar discusses the tech, inspiration and process that went into it.
The CAS, MPSE and AMPS have launched a petition as the next step in their Sound Credit Initiative to gain parity in movie credit positioning.
Capturing Kitten Bowl 2020, set to air on the next Super Bowl weekend, required extensive comms for a COVID-careful production.
Since 2002, Radiolab has provided listeners with deep-dive journalism, requiring exciting—but truthful—sound design. ‘Sound is an editorial statement,’ says producer Dylan Keefe.
ARET Video & Audio Engineering has designed and built a 24-fader mc²36 all-in-one console system with two compact Lawo stageboxes for a Middle East customer’s 4K OB truck.
WCR Community Radio station has refurbished its radio studios, incorporating two new Sonifex S2 modular broadcast mixers.
Judicious use of music and sound beds adds an extra layer of comedy and commentary to history podcast The Alarmist.
This year's Engineering Emmy Awards will honor a variety of individuals, companies and organizations, including two audio-oriented winners.
Focusrite and other audio brands have announced the three competition winners of a podcast studio makeover valued at $2,300 in gear and services.
Audio software developer Sound Particles has been awarded $50,000 as part of the Epic MegaGrant program created by Epic Games.
Dean St. Studios in London has outfitted Studio 1 with 17 PMC loudspeakers, including PMC’s flagship IB2S XBD-A active monitors, to enable mixing for Dolby Atmos Music.
‘Eric Krasno Plus One’ producer Matt Dwyer dishes on his tight audio game—“It's a lot different than producing music….”
BNY Productions has been monitoring through Meyer Sound Bluehorn System speakers in its production studio.
The AES Show 2020 Convention’s Broadcast and Online Delivery Track will examine key technologies and applications while taking a look back at broadcast history and a look forward to the opportunities that lie ahead.
Uncertainty is constant in audio production, but creator Matt Boudreau shows a different path.
The audio team behind Modern Family was nominated for a primetime Emmy Award every year of the show’s 11-year run. In the wake of the series’ finale, they look back at their journey.
William B. Kaplan’s career spans mixing projects ranging from Animal House to Back to the Future to Top Gun to Apple TV’s The Morning Show.
A variety of audio editing tricks help audio producer Matt Gourley ensure that the 'Conan O'Brien Needs A Friend' podcast keeps the laughs coming.
Universal Publishing Production Music (UPPM) has launched a new label, RE|COVERED, aiming to feature re-imagined cover versions.
Audio provider ASIIS Indonesia used the Waves eMotion LV1 Live Mixer and Waves plug-ins for the broadcast streaming of the recent Unlimited Fire Conference – Power 2020.
During the pandemic, streaming services is more important than ever, so 12Stone Church upped its miking game.
When the pandemic scuttled touring, artists quickly moved to livestreaming—and then, seeing the results, production professionals moved into the field as well to give it a much-needed boost in quality.
The winners of this year's Creative Emmy Awards in the Sound-related categories have been announced. And the winner is....
Broadcast audio manufacturer Telos Alliance will hold an instructional webinar on applying its Omnia Processing on a podcast’s audio.
Why the hit narrative comedy podcast 'Dead Eyes' values the perfect take over technical purity.
The annual Mix Sound for Film & TV event has named Oscar-winning sound designer and film editor Walter Murch as its Day 1 Keynote speaker.