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Photo Album: Pro Sound Network’s Best of Show Awards, AES 2012 Edition!

The editorial staffs of Pro Sound News and Pro Audio Review magazines presented the second annual ProSoundNetwork Best of Show Awards for the 133rd AES Convention in San Francisco. During each of the pro audio industry’s major US-based conventions and trade shows, the editors of PSN and PAR, with assistance from the editors of sister titles MIX and Audio Media, comb the exhibit halls for new and noteworthy products. Gear and software that show particular merit are singled out for the awards. All products debuting at a given event are eligible.

The editorial staffs of Pro Sound News and Pro Audio Review magazines presented the second annual ProSoundNetwork Best of Show Awards for the 133rd AES Convention in San Francisco. Here’s just a handful of the winners; see the full article for the complete rundown of winning products at the Convention.

Sennheiser’s Digital 9000 system garnered a Best of Show Award at AES.

Another Best of Show Award winner was Antelope Audio’s Orion 32 AD/DA converter/audio master clock.

Jeff Sazant (left) and Tom Sailor with the Best of Show Award for Lewitt Audio’s DTP Percussion Series.

Fairlight’s QUANTUM took home a Best of Show Award, seen here with the entire booth crew.

Shure’s new KMS9HS took home a Best of Show Award, seen here with product manager John Born.

Sennheiser USA president Greg Beebe with the Best of Show Award Neumann won for its KH 310A studio monitors.

Miriam Wiener, marketing coordinator for Focusrite Novation, happily accepted the Best of Show Award for the Forte.

The team at Moog’s AES booth were digging the Best of Show Award they won for their 500 Series Analog Delay.

Robert Caputo, president of ADAM Audio, with its Best of Show Award for the F-Series.

Joseph Wagoner, AKG USA Product Manager, with its Best of Show Award for the D12 VR microphone.

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