Recording

El Camino: A Breaking Bad Movie recently premiered globally on Netflix.

The annual memorial educational event was held at Peter Frampton’s Studio Phenix in the Berry Hill district in Nashville.

13th Annual Producers & Engineers Wing event will kick off Grammy Week

By Steve Harvey. The winding road to Collapsing Scenery’s debut album was a five-year journey.

Slate gets plug-ins rock solid using Ocean Way Audio monitors.

Relaxed studio centers in on new RND console.

Marc Viadiu, the founder and chief engineer of EZ Acoustics, recounts his company’s long journey developing its latest product, and how a chance meeting at the 2018 NAMM Show led to the involvement of longtime acoustic treatment proponent Peter D’Antonio.

Welcome to Tracks, our monthly look at the recording process behind 10 new releases by artists across the musical spectrum, running down who’s using what gear where.

By Steve Harvey. Simon & Greg Record the World is an online reality series following a pair of engineer/producers from Montreal who travel to remote locations around the globe to set up temporary studios and record local musicians.

The social media initiative aims to spotlight producers, engineers and others who contribute to the music recording process.

By Steve Harvey. Joachim Garraud recently built his dream studio, LA Good Vibe. It just happens to be a 36-foot RV converted into an eco-friendly, solar-powered mobile recording studio where the drum booth can sleep up to four people.

Jacques Sonyieux talks with Family of the Year about questionable band getaways, working with producer Greg Wells and embracing darkness.

The mic preamp was used for testing 250 microphones.

Immersive audio continues to make inroads into the music world with Sony’s new format.

The session was a highlight of the recent Making Vinyl conference.

By Clive Young. Grammy, Emmy and TEC Award-winning producer/engineer Ed Cherney died Monday, October 21.

The ongoing awards are co-curated with the Recording Academy Producers & Engineers Wing.

Top engineers discuss the building block of hip-hop: the sample.

By Anthony Savona. Podcasting has taken the world by storm; WSDG recounts how it created production facilities for both Gimlet Media and Stitcher.

By Katie Makal. Pros talk education, the unlikely secret to success and more at AES.

By Steve Harvey. Take a look at some of the top recording education offerings today at AES.

By Steve Harvey. Iceland aims to raise its music industry's profile with new economic initiative to attract recording projects from overseas.

Roll up your sleeves to learn and try the latest techniques in audio repair, as well as a deep dive into how ambisonics work.

Tipp gives a tip of the hat to mics he used on Pulitzer-nominated recordings.

New console aids learning process for audio students.

Group recorded new single while WAM guests shadowed the session

By Steve Harvey. The facility that put Southern Rock on the map is back from the brink, restored and reinvented for a new generation of music makers.

Having created some of R.E.M.'s classic albums at Ocean Way Studios, Litt brings things full-circle, using Ocean Way Audio monitors to remix the band for a new box set.

By Steve Harvey. After years as a musician, songwriter, producer and engineer, creating Grammy-nominated work with Modest Mouse, the Murder City Devils and Cold War Kids, Dann Gallucci found the next phase of his career in podcasting.

A personal production setup these days can be anything from a full-blown recording studio to rival high-end commercial facilities to something as simple as a laptop, an interface and headphones. But Jenn Vix’s production rig features something unusual: a dinosaur.

Jacques Sonyieux talks with former guitarist of the Black Belles and longtime Jack White protégé Olivia Jean about finding fuss-free tones, producing her new album and working in Third Man Studios.

By Steve Harvey. The noted producer collaborated extensively with Maren Morris and Lady Antebellum, and co-wrote hits with Pink, Florida Georgia Line, Keith Urban and Rascal Flatts.

Women’s Audio Mission is readying WAMCon New York for mid-October.

Esoterically outfitted studio aids creation of act’s next album.

By Steve Harvey. Pro Sound News presents its annual overview of the recording world, examining how the industry is powering new trends and reacting to changing developments.

Following some wilderness years, the popular studio returns to Boston with a brand-new WSDG-designed facility.

By Steve Harvey. Barry Hyde of UK post-post-punk band the Futureheads talks about recording the band’s self-produced new album—its first in six years—at the group’s home away from home, First Avenue Studios in England.

By Clive Young. The home and studio of Prince’s musical director, Morris Hayes, were ravaged by fire in mid-September.

13-time Grammy & Latin Grammy winner Sardina will share his insights at Westlake Pro in Los Angeles on Thursday.

The rustic studio is in fact a penthouse facility in Vienna, Austria.

Hip-Hop and R&B Track reveals production techniques and tools.

Jazz guitar king Al Di Meola will be part of a two-day Recording Master Class session at the retailer’s studio facility.

The first annual Sound for the Future Scholarship has been awarded.

AES moves with the time and the beat as it adds EDM to its convention mix for the first time.

By Steve Harvey. Producer, engineer and guitarist Jimmy Johnson had a hand in some of the Sixties and Seventies’ most indelible hits, working with everyone from Aretha Franklin to Lynyrd Skynyrd to The Rolling Stones.

Cellist/composer turns to new audio workstation to get things done.

By Steve Harvey. The Audio Technology Program at American University in Washington, D.C., now boasts 5.1 monitor systems from Genelec in its two main control rooms.

Mixer Ken “Duro” Ifill recently adopted ATC SCM45A three-way nearfield monitors.

"The Traveler" by the Kenny Wayne Shepherd Band has been mixed by engineer Eric “ET” Thorngren and mastering and mix engineer Michael Romanowski for a Dolby Atmos release on Aug. 30.

By Steve Harvey. John McBride, co-founder of Nashville’s Blackbird Studio, explains how and why the facility revamped its Studio C—famously outfitted with 138,646 individual pieces of wood for diffusion—into a 9.1.6 Dolby Atmos mix space.