Recording

Focusrite connectivity and interface technologies power diverse audio applications—including ADR, Foley, podcasting, and scoring for television—at Knoxville audio production and post facility.

By Craig Anderton. Smartphones and tablets have fostered a veritable explosion in DAW remote control options.

By Steve Harvey. Memphis Magnetic Recording, a new studio just blocks from Beale Street, was named by owners Scott and Claire McEwen as a reference to both the city’s pull on them and the facility’s many tape machines.

Hey, hey, it’s Micky Dolenz, looking back on 50-plus years as a Monkee, recording with the legendary Wrecking Crew and more.

By Clive Young. Thieves stole $70,000 of gear from producer/engineer Tucker Martine; now friends are stepping in to help with a benefit show in June.

Founded in 2014, the studio specializes in audio and video production.

PC users who want to work with Zylia’s Ambisonics microphone are in luck.

A new production music catalog will originate entirely from the famed facility.

Production team dresses up mixes inside ‘vest-pocket’ room.

Violeta Bozanic jump starts her career in Studio A at United.

Recordist aims to capture animal sound frequencies beyond human hearing.

By Clive Young. Thieves stole vintage mics, amps and guitars from Grammy-nominated producer/engineer Tucker Martine's nearly completed studio. Now efforts are underway to help Martine, who's worked with R.E.M., Death Cab for Cutie, The Decemberists and others, recover.

By Clive Young. George Ian Boxill and his business partners have been ordered by a Minnesota judge to pay nearly $4 million to the estate of Prince.

Recording facility management software nets new owner.

Winners of the international contest were chosen by Afrojack.

Upcoming webinar explores designing and constructing immersive facilities.

47 Meters Down sequel cast was recorded via DPA

SF studio rebuilds after massive fire.

Swedish studio nets QB1 XBD-A system.

The online retailer has announced an in-person masterclass at its recording studio.

Jacques Sonyieux talks with songwriter Albert Hammond (“It Never Rains in Southern California,” “The Air That I Breathe”) about staying true to yourself, working with the Wrecking Crew, and releasing a new symphonic album.

Producer/engineer behind the sound of the Eighties reminisces.

Welcome to Tracks, our monthly look at the recording process behind 10 new releases by artists across the musical spectrum, running down who’s using what gear where.

By Steve Harvey. Nearly 90 and already into his seventh decade in the industry, acoustician and audio engineer George Augspurger is still busy, with a number of studio design projects currently underway in the Los Angeles area and another in Peru.

By Steve Harvey. Brooklyn’s Leesta Vall Sound Recordings has cut more than 700 sessions live to vinyl using a mix of modern and vintage gear, including an ancient Presto K8 portable vinyl record lathe.

By Craig Anderton. With over a quarter-century of development, plug-ins are exploring worlds that go way beyond analog emulation.

By Steve Harvey. Four-time Grammy-winner Larry Klein recently netted his third nomination for Producer of the Year (Non-Classical); now he’s reinventing the music of Jacques Brel as he produces a new tribute album.

By Steve Harvey. Niles City Sound may be the studio that helped launch the Grammy-winning career of throwback R&B singer Leon Bridges, but the Ft. Worth, TX facility is determined not to be defined by that one project.

By Clive Young. The artist’s well-received performance followed five days of intense rehearsal and recording.

Checking in with WSDG designer John Storyk helped seal the deal for new owner John Haddad.

The Recording Academy Producers & Engineers Wing hosted its annual fete during Grammy Week.

Cherney nets fourth Grammy Award for Willie Nelson album.

Sound mixer Thompson adds variety of projects to her resume following the Super Bowl.

J Sound Services designed and installed a new private studio for The Commodores’ William King.

Composer records with all-stars at United.

Grammy-winning engineer Chris Lord-Alge will host a free class Thursday

Recording school in Spain revamps classrooms with new monitors.

Upstarts and legends honored at Music Producers Guild's annual event in London.

Mixer for Cardi B, Beyoncé, Pharrell to hold in-person seminar in April.

After decades with old favorites, the production legend makes a monitor move

Prodigal studio comes back to analog recording as it hits 30th year in business.

Recording legends to hold In Session masterclass/workshop in Indiana

Jacques Sonyieux talks with former Go-Between Robert Forster about minimalist production, sequencing an album and his band’s unfinished business.

Welcome to Tracks, our monthly look at the recording process behind 10 new releases by artists across the musical spectrum, running down who’s using what gear where.

New console captures Carolla and Company

Sanken mics capture latest Will Smith feature.

By Clive Young. The Recording Academy has unveiled its Inclusion Initiative with the aim of increasing the number of female producers and engineers across the industry. The move comes in the wake of an extensive USC Annenberg study that found “female producers face an epidemic of invisibility."

By Steve Harvey. When David Bianco passed away last year, the future looked dim for his popular L.A. studio, Dave’s Room, which has hosted sessions by everyone from Bob Dylan to TSOL. Now Paul Fig (Deftones, Coheed & Cambria, Ghost) and David Spreng have stepped in to bring a new day to the facility.

By Steve Harvey. Founded 30 years ago, Zippah was purchased in 2003 by the studio’s biggest client, Brian Charles. Today, it remains a fixture on the vibrant Boston music scene, hosting recording and songwriting workshops and developing plug-ins with Rare Signals.

After suffering a fire two years ago, San Francisco’s One Union has recovered and is going full steam ahead.