"Captain Kirk" himself talks about recording his new Christmas album, hanging out on Brad Paisley's tour bus, and what the recent Mars landing might mean for our future.
By Steve Harvey. Ever daydream what it would be like to build an attic studio if money was no object? One Major League Baseball player did just that, and the result is a jaw-dropping, TEC Award-nominated private facility called The Upper Deck.
The Franklin, TN-based production facility is decked out in Auralex.
Recording legends Frank Filipetti and George Massenburg explain how to accurately test for and choose the right microphone.
By Clive Young. The real-life ear doctor of 'A Star is Born' talks new approaches to maintaining your hearing and more.
Back in November, 2008, we chatted with an emerging teen country artist about recording her second album.
By Steve Harvey. Test Shot Starfish made its name providing music for SpaceX launches; now the duo is working with immersive audio pioneer Robert Margouleff to make the most of its new debut album, Music for Space.
By Steve Harvey. Oktaven Audio’s co-owner Ryan Streber says his studio has grown over the last decade while recording almost solely “art music, not stuff with any commercial appeal. It’s a little disturbing and perverse, but somehow it has worked out.”
by Steve Harvey. Top engineer Chris Lord-Alge led the second annual Csaba Petocz Master Class at his private Mix LA studio facility in September, sharing mixing secrets and memories of his friend Petocz to the dozen students in attendance.
Operating in a space laden with recording history, the fledgling facility has aspirational aims.
By Lisa Johnston. The Archiving and Restoration track at this year's AES has become a venue for sharing best practices, key information and more.
By Lisa Johnston. Who carries the responsibility of properly archiving masters—the engineer, the label or the artist?
By Katie Makal. The AES Diversity and Inclusion Committee met yesterday to discuss goals and accomplishments as part of the organization's efforts to better represent all segments of the pro audio community.