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Immersive audio will have to get past the same old barriers to break fully into the live music arena – and there are more of them than before, says PSNLive's Phil Ward
Object-based 3D sound specialist Astro Spatial Audio (ASA) has announced Swedish firm Audile Electroacoustics AB as the latest global supplier.
A single Astro Spatial Audio SARA II Premium Rendering Engine completes the virtual immersive experience of e-sports at the OGN arena
In his new role, Morley will be responsible for driving the company’s expansion into new markets
The deal will see 2B Heard provide sales and support for the UK market.
Localisation of sound effects, including an orchestra that pans around like a pinball machine, are integral to a production now running at Colorado’s Denver Center for the Performing Arts Theatre
"To really understand the transformative potential of object based immersive audio, you need to experience it for yourself"
Murray is also working in a global business development role for Astro Spatial Audio
Murray brings 35 years’ experience to the role, which will see him look to boost the brand’s profile worldwide
The Sara II system was chosen for its ability to join the studio’s Dante media network
Astro Spatial Audio has brought object-based 3D audio and its Stagetracker performer tracking accuracy to Loreley, an outdoor opera produced by Switzerland’s prestigious Theater St. Gallen. While its origins stretch back to the early 19th century, Theater St. Gallen...