Avid and Berklee Improve Sibelius Access for Visually Impaired
Avid and Berklee College of Music have teamed to improve accessibility in Sibelius composition software.
At AES: Capricorn Records, Dolby Atmos Music and a Few Black Boxes
By Tom Kenny. The editor of Mix shares the insights and inside info he’s gleaned from his travels on the AES show floor.
Inside the Sound Design of Moulin Rouge! The Musical
By Clive Young. The Broadway smash mashes up more than 70 pop songs to create the ultimate jukebox musical. Sound designer Peter Hylenski shares how the audio team met that challenge head on.
Pro Sound News InfoComm Best of Show Award Winners 2019
Pro Sound News has announced its Best of Show Award winners for InfoComm 2019.
People: Hires and Promotions in the Audio Industry for March 2019
Industry moves this month include promotions and hires at Harman Professional Solutions, Nugen Audio, Clear-Com, Universal Audio, Sound Image, Avid, Listen Technologies, Yamaha Corp. of America, Solotech, Eastern Acoustic Works (EAW), L-Acoustics and DPA Microphones.
Zylia Announces Studio PRO, Ambisonics Converter Plug-ins
New software adapts ZM-1 ambisonics mic to Pro Tools
Bringing the Grateful Dead’s Wall of Sound Back to Life
By Clive Young. Tribute act Dead On Live teams with Asbury Audio to replicate the legendary Wall of Sound concert audio system.
At AES: The Show Floor Shuffle—A Peek at New Products
Mix Editor in Chief Tom Kenny guest posts about his travels across the AES Convention.
Inside the Immersive Mixes of Mamma Mia: Here We Go Again
By Steve Harvey. Making the immersive mixes for this summer's hit movie musical was no simple matter.
Future Pro Audio Group InfoComm Best of Show Award Winners 2018
The Pro Audio Group of Future’s Pro Audio Group has announced its Best of Show Award winners for InfoComm 2018.