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Newly established Toluca Lake, CA, audio post-production facility Waterman Sound offers the technologies, amenities and industry neighbors to draw productions interested in one-stop shopping.
Rich Tozzoli shares how he uses Avid Pro Tools Ultimate in the real world.
Signature Post recently completed a new multi-room facility with three Dolby Atmos stages, built by Kaiser Comm Construction.
PMC Studio in Los Angeles recently hosted an immersive audio workshop titled “The Anatomy of Immersive & Surround Sound Audio” for a select group of invited producers and engineers from across the industry.
Music fans can now find various WMG and UMG music artists in Dolby Atmos on Tidal.
The British loudspeaker manufacture will show a range of products suited for all recording, mixing and mastering applications and formats, including Dolby Atmos.
Dolby Laboratories and Warner Music Group have announced a partnership to provide artists with an immersive platform for their music.
Mastering and mix engineer Michael Romanowski teamed with Eric “ET” Thorngren to mix an immersive audio version of the Kenny Wayne Shepherd Band’s recent blues smash, "The Traveler."
Cinematic Media’s new post production facility, part of GGM Estudios in Mexico, will house eight Dolby Atmos-certified stages and cutting rooms.
DAP worked with FM Design, Avid and Meyer Sound to update the facility.
By Steve Harvey. The audio needs of nightclubs, theaters and houses of worship might appear to be different, yet, like other pro audio applications, they are increasingly converging onto technology platforms that are becoming common across the industry.
By Steve Harvey. The program for this year’s sixth annual Mix Sound for Film & TV event, a sold-out affair that attracted 650 attendees to the Sony Pictures Studios lot, offered a twin focus—immersive audio and IP networking—that reflects...
Green Street adds Atmos, Genelecs to ensure it’s up for modern game work.
“Quentin gave us the flexibility to experiment with newer vinyl, digital and broadcast recordings, with the caveat that it had to be the exact pitch and time as his original to ensure there was no disjointed audio.”
By Tom Kenny. The editor of Mix shares the insights and inside info he’s gleaned from his travels on the AES show floor.
By Steve Harvey. With less than 10 months remaining before the Tokyo 2020 opening ceremony, the Olympic Games is shaping up to be a record-breaking event, with Olympic Broadcasting Services (OBS), the permanent host broadcaster, set to produce an...
Users will be able to monitor 5.1.2, 5.1.4, 7.1.2 or 7.1.4 in the popular immersive sound format.
"The Traveler" by the Kenny Wayne Shepherd Band has been mixed by engineer Eric “ET” Thorngren and mastering and mix engineer Michael Romanowski for a Dolby Atmos release on Aug. 30.
By Steve Harvey. John McBride, co-founder of Nashville’s Blackbird Studio, explains how and why the facility revamped its Studio C—famously outfitted with 138,646 individual pieces of wood for diffusion—into a 9.1.6 Dolby Atmos mix space.
By Steve Harvey. As momentum builds behind immersive music releases, Dave Henszey has opened Henszey Sound, a recording and mixing facility overlooking Universal City in Los Angeles that is fully outfitted for Dolby Atmos and stereo work.
By Becky Roberts. For the second year in a row, Sky broadcast the UK’s Isle of Wight music festival in Atmos—here's how they did it.
Part Two of the Dolby Atmos Workflow: Audio Track Management and Delivery takes place later this month!
Dolby and UMG Team for Dolby Atmos music agreement.
Boutique post house upgrades facility to accommodate Atmos.
SAUGERTIES, N.Y. – May 22, 2019 Ocean Matrix, a provider of cost-effective interface solutions for video and pro-AV users, releases two new 4K HDMI audio extractors which are ideal for venues such as conference rooms, stadiums, and auditoriums. Ocean...
New post audio facility aims to ride ongoing expansion in motion picture and television production in Mexico.
By Steve Harvey. The streaming provider takes its audio offerings to the next level.
By Steve Harvey. Cyro used Nugen Post to control the consistency of the mix of Netflix’s 'Super Drags,' reportedly the first show in South America to use Dolby Atmos.
Seven is a lucky number as facility updates mix rooms to Atmos.
Upcoming webinar explores designing and constructing immersive facilities.
Created with White Mark, the new five-studio facility is based in London.
The home of the late founder of Dolby Labs is for sale.
Valencia College has added four 7.1.4 studios for students.
By Steve Harvey. In the world of audio post production, from commercials and television to major motion pictures, two things are increasingly certain: budgets—or lack thereof—and Dolby Atmos. Pro Sound News talks to pros to find out what’s they’re...
By Steve Harvey. Rising post-production company Sugar Studios recently expanded its mixing facilities in LA's Wiltern Tower, building a Dolby Atmos room and more, reinventing itself as a streamlined, all-in-one production facility.
Jonathan Wales created a Dolby Atmos upmix for the hit horror series.
By Steve Harvey. Working on "The Darkest Minds," co-supervising sound editors Will Files and Warren Hendricks were challenged to give the characters’ mind control powers individual sonic signatures with a good or evil twist.
By Steve Harvey. This year has seen a significant uptick in activity for AC-4, Dolby Laboratories’ end-to-end audio solution for next-generation broadcast and streaming services—and here’s why.
Dolby Atmos is leading a revolution in terms of the way sound is received and the way it enhances the visual. Raja Sehgal, director of sound engineering and Dolby Atmos specialist at London’s Grand Central Recording Studios, talks to...
By Steve Harvey. Central Post LA packs the latest audio and video technologies into seven studios located close to some of the biggest content producers in Hollywood. The facility offers a comprehensive menu of post services, with a focus...
