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This facility will act as a hub for recording professionals who want to demo high quality PMC products that are specifically designed for immersive audio.
Re-recording mixer D.J. Lynch and supervising sound editor Rob McIntyre have 19 Emmys between them; now they’ve opened their own Sound Rebels facility in Burbank, CA’s media district.
Michael Romanowski suffered for his clients’ art, going without heat in his home for 18 months as he dug out 10 feet beneath his house to create the new home of Coast Mastering.
Nuendo 11, the latest edition of the long-running DAW, offers ADM authoring for Dolby Atmos, a Netflix loudness meter and more.
Mastering engineer Michael Romanowski recently completed a new facility at Coast Mastering that is outfitted to handle projects up to Dolby Atmos 9.1.6.
The annual Mix Sound for Film & TV event moved online this year, successfully recreating the physical experience with nary a glitch during its two-day premiere.
The award-winning games developer has installed three edit suites and a Dolby Atmos® mix room at its facility in Sheffield, UK
The internationally acclaimed loudspeaker manufacturer is also expanding its staff resources to support this expansion.
Dean St. Studios in London has outfitted Studio 1 with 17 PMC loudspeakers, including PMC’s flagship IB2S XBD-A active monitors, to enable mixing for Dolby Atmos Music.
Veteran audio post pro and production/trailer music composer Michael Phillips Keeley has updated his home-based Sound Striker Post facility, transforming it into a Dolby Atmos-capable mix room.
This appointment significantly boosts PMC’s burgeoning reputation as the loudspeaker brand of choice for anyone involved in mixing music in immersive audio formats.
Fresh out of film school, Zach Seivers founded his own audio post company in 2006, growing the business from one to four rooms before recently adding to his storytelling tools with an upgrade to Atmos mixing capabilities.
Early in his career, Grammy-winning mix engineer Rob Burrell had to choose between making records and making movies. Now, having recently outfitted his Nashville home studio with a 11.1.4 Dolby Atmos mix environment, he’s taking on documentaries and Netflix...
The newly renovated DGA Theater in Los Angeles sports a Meyer Sound Acheron system chosen by filmmakers Michael Mann and Michael Apted.
Grammy-winning mix engineer Rob Burrell recently converted a space in his Nashville-area home studio into a Dolby Atmos mix room.
By Steve Harvey. Immersive audio is already available in cinemas and homes. Live sound is increasingly exploring ways to bring that element to the concert world with artists like Meek Mill and Santana. The live sound team at Dolby...
Valhalla Studios owner/Manowar founder Joey DeMaio collaborated with Grammy-winning mastering engineer Darcy Proper and top engineer Ronald Prent to upgrade the facility’s main room to handle all immersive formats.
The ability to provide immersive audio is quickly moving from being an option in many fields to a necessity. Whether being applied to broadcast content, cinema, or live and concert sound, the various formats—as well as the facilities and...
Greg Stone launched Signature Post in a renovated space in Burbank with the aim of creating a post house that can provide the right talent, equipment and amenities for any production in Los Angeles.
We spoke with dozens of audio industry leaders to compile the 2020 edition of Companies to Watch. Read on for part two of our series.
New York University has consolidated its media, technology and art departments into a new facility in Brooklyn. The site includes studios, editing suites, rehearsal spaces, offices and Oscilloscope Labs, the private production studio of late Beastie Boys rapper Adam...
Newly established Toluca Lake, CA, audio post-production facility Waterman Sound offers the technologies, amenities and industry neighbors to draw productions interested in one-stop shopping.
Rich Tozzoli shares how he uses Avid Pro Tools Ultimate in the real world.
Signature Post recently completed a new multi-room facility with three Dolby Atmos stages, built by Kaiser Comm Construction.
PMC Studio in Los Angeles recently hosted an immersive audio workshop titled “The Anatomy of Immersive & Surround Sound Audio” for a select group of invited producers and engineers from across the industry.
Music fans can now find various WMG and UMG music artists in Dolby Atmos on Tidal.
The British loudspeaker manufacture will show a range of products suited for all recording, mixing and mastering applications and formats, including Dolby Atmos.
Dolby Laboratories and Warner Music Group have announced a partnership to provide artists with an immersive platform for their music.
Mastering and mix engineer Michael Romanowski teamed with Eric “ET” Thorngren to mix an immersive audio version of the Kenny Wayne Shepherd Band’s recent blues smash, "The Traveler."
This is the first major awards show to put on Dolby Atmos performances
Dolby is collaborating with artists, record labels, streaming services, and consumer electronics manufacturers to make Dolby Atmos Music experiences widely accessible
Man Made Music was established over 20 years ago by award-winning composer and producer Joel Beckerman
The number of speakers in the cinema has increased from 14 to 41
Cinematic Media’s new post production facility, part of GGM Estudios in Mexico, will house eight Dolby Atmos-certified stages and cutting rooms.
DAP worked with FM Design, Avid and Meyer Sound to update the facility.
By Steve Harvey. The audio needs of nightclubs, theaters and houses of worship might appear to be different, yet, like other pro audio applications, they are increasingly converging onto technology platforms that are becoming common across the industry.
By Steve Harvey. The program for this year’s sixth annual Mix Sound for Film & TV event, a sold-out affair that attracted 650 attendees to the Sony Pictures Studios lot, offered a twin focus—immersive audio and IP networking—that reflects...
Green Street adds Atmos, Genelecs to ensure it’s up for modern game work.
“Quentin gave us the flexibility to experiment with newer vinyl, digital and broadcast recordings, with the caveat that it had to be the exact pitch and time as his original to ensure there was no disjointed audio.”
By Tom Kenny. The editor of Mix shares the insights and inside info he’s gleaned from his travels on the AES show floor.
The UK loudspeaker manufacturer is now working closely with Dolby as a strategic partner for its AtmosÆ immersive audio solution
By Steve Harvey. With less than 10 months remaining before the Tokyo 2020 opening ceremony, the Olympic Games is shaping up to be a record-breaking event, with Olympic Broadcasting Services (OBS), the permanent host broadcaster, set to produce an...