Sumo Digital Equips Four New Audio Studios with PMC Monitors
The award-winning games developer has installed three edit suites and a Dolby Atmos® mix room at its facility in Sheffield, UK
PMC Opens A New Factory To Cope With Demand For Its CI Monitors
The internationally acclaimed loudspeaker manufacturer is also expanding its staff resources to support this expansion.
PMC USA Appoints Surround Sound Expert Ted White To A Key Operational Role
This appointment significantly boosts PMC’s burgeoning reputation as the loudspeaker brand of choice for anyone involved in mixing music in immersive audio formats.
Missed Opportunity Returns to Rob Burrell
Early in his career, Grammy-winning mix engineer Rob Burrell had to choose between making records and making movies. Now, having recently outfitted his Nashville home studio with a 11.1.4 Dolby Atmos mix environment, he’s taking on documentaries and Netflix...
Valhalla Studios Jumps into Analog Immersive Mixing
Valhalla Studios owner/Manowar founder Joey DeMaio collaborated with Grammy-winning mastering engineer Darcy Proper and top engineer Ronald Prent to upgrade the facility’s main room to handle all immersive formats.
NYU’s Clive Davis Institute Reinvents Itself in Brooklyn
New York University has consolidated its media, technology and art departments into a new facility in Brooklyn. The site includes studios, editing suites, rehearsal spaces, offices and Oscilloscope Labs, the private production studio of late Beastie Boys rapper Adam...
PMC Highlights Its Burgeoning Role In The Immersive Audio Market At NAMM 2020
The British loudspeaker manufacture will show a range of products suited for all recording, mixing and mastering applications and formats, including Dolby Atmos.
Sound for Film & TV Event Provides Insights
By Steve Harvey. The program for this year’s sixth annual Mix Sound for Film & TV event, a sold-out affair that attracted 650 attendees to the Sony Pictures Studios lot, offered a twin focus—immersive audio and IP networking—that reflects...
At AES: Capricorn Records, Dolby Atmos Music and a Few Black Boxes
By Tom Kenny. The editor of Mix shares the insights and inside info he’s gleaned from his travels on the AES show floor.
Immersive Audio at the Tokyo 2020 Olympics
By Steve Harvey. With less than 10 months remaining before the Tokyo 2020 opening ceremony, the Olympic Games is shaping up to be a record-breaking event, with Olympic Broadcasting Services (OBS), the permanent host broadcaster, set to produce an...
Studio Showcase: Blackbird Studio Takes Immersive to the Next Level
By Steve Harvey. John McBride, co-founder of Nashville’s Blackbird Studio, explains how and why the facility revamped its Studio C—famously outfitted with 138,646 individual pieces of wood for diffusion—into a 9.1.6 Dolby Atmos mix space.
How Sky Broadcast a Music Festival Live in Dolby Atmos
By Becky Roberts. For the second year in a row, Sky broadcast the UK’s Isle of Wight music festival in Atmos—here's how they did it.
Ocean Matrix Introduces 3 New Cost-Effective 4K HDMI Interface Tools
SAUGERTIES, N.Y. – May 22, 2019 Ocean Matrix, a provider of cost-effective interface solutions for video and pro-AV users, releases two new 4K HDMI audio extractors which are ideal for venues such as conference rooms, stadiums, and auditoriums. Ocean...