Sound for Film & TV Event Provides Insights
By Steve Harvey. The program for this year’s sixth annual Mix Sound for Film & TV event, a sold-out affair that attracted 650 attendees to the Sony Pictures Studios lot, offered a twin focus—immersive audio and IP networking—that reflects...
At AES: Capricorn Records, Dolby Atmos Music and a Few Black Boxes
By Tom Kenny. The editor of Mix shares the insights and inside info he’s gleaned from his travels on the AES show floor.
Immersive Audio at the Tokyo 2020 Olympics
By Steve Harvey. With less than 10 months remaining before the Tokyo 2020 opening ceremony, the Olympic Games is shaping up to be a record-breaking event, with Olympic Broadcasting Services (OBS), the permanent host broadcaster, set to produce an...
Studio Showcase: Blackbird Studio Takes Immersive to the Next Level
By Steve Harvey. John McBride, co-founder of Nashville’s Blackbird Studio, explains how and why the facility revamped its Studio C—famously outfitted with 138,646 individual pieces of wood for diffusion—into a 9.1.6 Dolby Atmos mix space.
How Sky Broadcast a Music Festival Live in Dolby Atmos
By Becky Roberts. For the second year in a row, Sky broadcast the UK’s Isle of Wight music festival in Atmos—here's how they did it.
Ocean Matrix Introduces 3 New Cost-Effective 4K HDMI Interface Tools
SAUGERTIES, N.Y. – May 22, 2019 Ocean Matrix, a provider of cost-effective interface solutions for video and pro-AV users, releases two new 4K HDMI audio extractors which are ideal for venues such as conference rooms, stadiums, and auditoriums. Ocean...
Nugen Audio Streamlines Dolby Atmos Mix for Marcelo Cyro
By Steve Harvey. Cyro used Nugen Post to control the consistency of the mix of Netflix’s 'Super Drags,' reportedly the first show in South America to use Dolby Atmos.
Free Webinar: Building a Near-Field Immersive Room
Upcoming webinar explores designing and constructing immersive facilities.
Audio Post Faces Rising Expectations, Falling Budgets
By Steve Harvey. In the world of audio post production, from commercials and television to major motion pictures, two things are increasingly certain: budgets—or lack thereof—and Dolby Atmos. Pro Sound News talks to pros to find out what’s they’re...
The Rules and Tools Behind the Mixes of ‘The Darkest Minds’
By Steve Harvey. Working on "The Darkest Minds," co-supervising sound editors Will Files and Warren Hendricks were challenged to give the characters’ mind control powers individual sonic signatures with a good or evil twist.
Sounds of the Future at London’s Grand Central Recording Studios
Dolby Atmos is leading a revolution in terms of the way sound is received and the way it enhances the visual. Raja Sehgal, director of sound engineering and Dolby Atmos specialist at London’s Grand Central Recording Studios, talks to...