Grammy Awards Show Begins Transition to AoIP
The Grammy Awards show has long employed a large splitter system to distribute microphone and instrument signals from the multiple stages to the house sound and broadcast audio mixing consoles. This year, the production began a transition to audio-over-IP...
‘It’s ear-splitting up there’: Mixing the live sound on Liam Gallagher’s world tour
On stage, Gallagher opts for wedges over in-ears, all with vocal, slap delay, and a bit of reverb pumping through them
SRD Group brightens Bluetones tour with Allen & Heath dLive
Joe Turner talks about how the equipment performs for the '90s rockers
PRO SOUND AWARDS 2014: Kay, Proctor, Lucas and Grant (is not a prog supergroup)
Rather, they're our four Live Engineer of the Year finalists.