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Valhalla Studios owner/Manowar founder Joey DeMaio collaborated with Grammy-winning mastering engineer Darcy Proper and top engineer Ronald Prent to upgrade the facility’s main room to handle all immersive formats.
The ability to provide immersive audio is quickly moving from being an option in many fields to a necessity. Whether being applied to broadcast content, cinema, or live and concert sound, the various formats—as well as the facilities and...
Thomas Jensen, vice president of technical operations for Solid State Logic’s Systems & Support Group New York, recounts the history of the company’s System T broadcast console and its ongoing refinement to benefit its users and the marketplace.
Immersive audio is already available in cinemas and homes. Live sound is increasingly exploring ways to bring that element to the concert world with artists like Meek Mill and Santana. The live sound team at Dolby Atmos shares its...
Karma Auger and longtime collaborator Erich Gobel have teamed up to create Studio 1 LA, a new mix facility built from the ground up to handle immersive mixes in Dolby Atmos.
At ISE, Amadeus will highlight version 1.5 of its HOLOPHONIX spatial sound processor, featuring many new functions, corrections, and improvements.
Producer/Engineer Morten Lindberg won the Grammy for Best Immersive Audio Album last night, finally breaking his streak of 28 losses and 0 wins—the longest streak of unrewarded nominations ever.
The new L-ISA DeskLink natively integrates L-Acoustic L-ISA Control capability into Yamaha Pro Audio's flagship Rivage PM7 and PM10 mixing systems.
The British loudspeaker manufacture will show a range of products suited for all recording, mixing and mastering applications and formats, including Dolby Atmos.
Dolby Laboratories and Warner Music Group have announced a partnership to provide artists with an immersive platform for their music.
The DPA 4560 CORE binaural headset captures immersive audio via worn mics on each ear.
Versatile and Flexible Headset Positions a Miniature Microphone at the Opening of Each Ear
Mastering and mix engineer Michael Romanowski teamed with Eric “ET” Thorngren to mix an immersive audio version of the Kenny Wayne Shepherd Band’s recent blues smash, "The Traveler."
Michael Marquart’s latest album as A Bad Think, The Saviour, had a production think-tank behind the scenes: co-producer/engineer Dave Way; co-producer/studio owner Marquart; and mix engineer Bob Clearmountain, who mixed the album in both stereo and 5.1 surround.
By Steve Harvey. The program for this year’s sixth annual Mix Sound for Film & TV event, a sold-out affair that attracted 650 attendees to the Sony Pictures Studios lot, offered a twin focus—immersive audio and IP networking—that reflects...
By Clive Young. ArTecHouse, a new permanent digital art installation space, opened in September at New York City’s Chelsea Market, where its careening, AI-fueled visuals are emboldened by a sizable 30.1 immersive audio system.
Immersive audio continues to make inroads into the music world with Sony’s new format.
Roll up your sleeves to learn and try the latest techniques in audio repair, as well as a deep dive into how ambisonics work.
By Steve Harvey. With less than 10 months remaining before the Tokyo 2020 opening ceremony, the Olympic Games is shaping up to be a record-breaking event, with Olympic Broadcasting Services (OBS), the permanent host broadcaster, set to produce an...
The entertainer continues her pop culture reign with a pair of well-reviewed Las Vegas residencies that make use of immersive live sound technologies.
"The Traveler" by the Kenny Wayne Shepherd Band has been mixed by engineer Eric “ET” Thorngren and mastering and mix engineer Michael Romanowski for a Dolby Atmos release on Aug. 30.
By Steve Harvey. John McBride, co-founder of Nashville’s Blackbird Studio, explains how and why the facility revamped its Studio C—famously outfitted with 138,646 individual pieces of wood for diffusion—into a 9.1.6 Dolby Atmos mix space.
By Steve Harvey. As momentum builds behind immersive music releases, Dave Henszey has opened Henszey Sound, a recording and mixing facility overlooking Universal City in Los Angeles that is fully outfitted for Dolby Atmos and stereo work.
By Alvin Fernald. Supersphere, an entertainment production company that specializes in immersive and interactive live broadcast events, recently teamed up with mobile production specialist TNDV to create the Audiophile Series, a set of live concerts presented in VR with...
All-day exhibition and conference returns to Sony Picture Studios on Sept. 28, 2019.
New mix/master service provided for users of the company’s 360-degree microphone.
Following two years of development, Sennheiser will bring its immersive AMBEO technology to cars when it unveils an in-car sound system at Monterey Car Week.
By Mel Lambert. Famed London gallery uses immersive sound to enhance high-tech art installation.
Sennheiser bolsters its AMBEO efforts with the purchase of VR/AR audio software company Dear Reality.
Old-school bluegrass to be captured with immersive recording technology.
By Russ Long. With immersive audio about to enter the mainstream, my guess is that Zylia will be one of the primary players in the field.
By Steve Harvey. Nobody said “shhh” when electronic music pioneer Suzanne Ciani played a live quadrophonic performance at the Los Angeles Public Library’s Mark Taper Auditorium.
Hyperspace got “hyperreal” when Clearwing Productions deployed L-Acoustics’ L-ISA for a live orchestral accompaniment to The Empire Strikes Back.
The three themed events will be held at his new facility in Santa Barbara, CA.
Part Two of the Dolby Atmos Workflow: Audio Track Management and Delivery takes place later this month!
By Steve Harvey. By mid-2018, some pundits were ready to write off virtual reality as headset sales took a downward turn in only their second year of commercial availability. Now, after a sharp uptick in sales at the end...
A massive Meyer Sound immersive system was used for the documentary’s premiere.
By Clive Young. The performance was one of the first inside New York City’s $475 million venue, The Shed.
Epic play gets the immersive audio treatment for New York premiere.
By Clive Young. While AMBEO is often mentioned in the same breath as AR and VR, it wasn’t initially created with those uses in mind.