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Thomas Jensen, vice president of technical operations for Solid State Logic’s Systems & Support Group New York, recounts the history of the company’s System T broadcast console and its ongoing refinement to benefit its users and the marketplace.
When the founder of pioneering IEM manufacturer Sensaphonics teamed up with the CEO of Think-A-Move, a manufacturing company focused on headset products used in high-noise applications, the result was a brand new company that takes a fresh approach to...
Marc Viadiu, the founder and chief engineer of EZ Acoustics, recounts his company’s long journey developing its latest product, and how a chance meeting at the 2018 NAMM Show led to the involvement of longtime acoustic treatment proponent Peter...
By Karl Winkler. Digital microphone systems are expected to meet three performance criteria—high channel counts, decent battery life and long range—but achieving any two of those goals generally comes at the expense of the third. Lectrosonics aims to change...
Waves’ Mick Olesh discusses the company’s recently introduced eMotion LV1 system, intended to be an all-inclusive/cost-effective mixing solution for live engineers working in clubs, touring bands and houses of worship.
Genelec’s Will Eggleston provides a behind-the-scenes look at the development of the S360 SAM studio monitor, as the company aimed to address music and performance trends, immersive audio for post-production, fixed installations and home theater with as small a...
Rick Perrotta, president of Royer Labs, dissects the creation of the company’s latest ribbon microphone, the R-10.
By Miles Rogers. It’s not that often that you get to work on a project that changes the way you look at—or in this case listen to—the world.