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CUPERTINO, Calif. — May 5, 2021 — Interra Systems, a leading global provider of software products and solutions to the digital media industry, today announced that its BATON Media Player (BMP) now offers a set of Netflix presets based...
The audio team behind writer/director Aaron Sorkin’s The Trial of the Chicago 7 faced numerous challenges, including 15 remote mics in some scenes.
Sound teams from some of the biggest movies of the year, from 'Mank' to 'Judas and the Black Messiah,' were onhand to discuss their work at the Mix Sound for Film & TV Awards Season event.
Supervising sound editor and sound designer Wylie Stateman oversaw four teams working on the recent Netflix hit The Queen’s Gambit.
Sound mixer Roland Winke’s recording rig helped immerse viewers in the world of chess for the Netflix miniseries "The Queen’s Gambit."
A new screening room on Netflix’s campus uses Meyer Sound's new Ultra Reflex cinema audio solution technology.
Netflix’s recent “Women in Sound” panel featured a panel of women working in post production, dubbing and music sharing their experiences in the industry.
Nuendo 11, the latest edition of the long-running DAW, offers ADM authoring for Dolby Atmos, a Netflix loudness meter and more.
Audio technology helps 'Twenty Thousand Hertz' explore how we experience sound in the modern world, aiming to "bring joy to sound itself."
Netflix’s hot new comedy series, Sneakerheads, has a head-spinning hip-hop/trap score; composer Haim Mazar discusses the tech, inspiration and process that went into it.
Mix Editor Tom Kenny Speaks with the Sound Production Team Behind the Emmy-Nominated Third Season of the Hit Series.
Following years working at Interscope Records’ studio, Mert Ozcan went on to co-found The Record House. Now armed with a brand-new Dolby Atmos mix room outfitted by studio acoustics designer DHDI, the boutique studio has become a creative collective...
Sound editor and sound designer Ruy Garcia elected to use Nugen Audio’s Halo Upmix to upmix Midsommar and Wendy.
"El Camino: A Breaking Bad Movie" recently premiered globally on Netflix.
Keeping Netflix audio specs in mind was only one of the challenges facing mixer Tom Marks.
By Steve Harvey. Pros from Netflix, Sony Pictures, JBL and more share their knowledge and views on translating theatrical film soundtracks for home listening environments.
Improvisations by Ray Romano and Mark Duplass captured with DPA and Wisycom.
By Steve Harvey. The streaming provider takes its audio offerings to the next level.
Netflix's Super Drags is reportedly the first show in South America to use Dolby Atmos, and Marcelo Cyro turned to Nugen Audio's Nugen Post bundle to control the consistency of the mix
By Steve Harvey. Cyro used Nugen Post to control the consistency of the mix of Netflix’s 'Super Drags,' reportedly the first show in South America to use Dolby Atmos.
Loudness Toolkit and Halo Downmix software get new updates.
By Steve Harvey. PMC2018 addressed a broad swath of issues related to production music, focusing not only on business issues, such as best practices for securing placements and, equally importantly, getting paid, but also how to maximize composition and...
Jonathan Wales created a Dolby Atmos upmix for the hit horror series.