Post and Broadcast
The Audio of ‘Chicago 7’ Was A Trial Itself
The audio team behind writer/director Aaron Sorkin’s The Trial of the Chicago 7 faced numerous challenges, including 15 remote mics in some scenes.
Netflix
Post and Broadcast
Top Cinema Sound Teams Talk Up Audio Efforts
Sound teams from some of the biggest movies of the year, from 'Mank' to 'Judas and the Black Messiah,' were onhand to discuss their work at the Mix Sound for Film & TV Awards Season event.
Post and Broadcast
Centralization May Be Post Audio’s Gambit
Supervising sound editor and sound designer Wylie Stateman oversaw four teams working on the recent Netflix hit The Queen’s Gambit.
Post and Broadcast
Roland Winke on Capturing ‘The Queen’s Gambit’
Sound mixer Roland Winke’s recording rig helped immerse viewers in the world of chess for the Netflix miniseries "The Queen’s Gambit."
Post and Broadcast
Meyer Sound, Sony Team for Netflix Screening Room
A new screening room on Netflix’s campus uses Meyer Sound's new Ultra Reflex cinema audio solution technology.
Post and Broadcast
Netflix Post Panel Encourages Women in Sound
Netflix’s recent “Women in Sound” panel featured a panel of women working in post production, dubbing and music sharing their experiences in the industry.
Gear and Technology
Steinberg Releases Nuendo 11
Nuendo 11, the latest edition of the long-running DAW, offers ADM authoring for Dolby Atmos, a Netflix loudness meter and more.
Post and Broadcast
‘Twenty Thousand Hertz’ Fights for Audio’s Seat at the Table
Audio technology helps 'Twenty Thousand Hertz' explore how we experience sound in the modern world, aiming to "bring joy to sound itself."
Post and Broadcast
Going Head to Sneakerheads
Netflix’s hot new comedy series, Sneakerheads, has a head-spinning hip-hop/trap score; composer Haim Mazar discusses the tech, inspiration and process that went into it.
Blogs
For Your Consideration: ‘Stranger Things’
Mix Editor Tom Kenny Speaks with the Sound Production Team Behind the Emmy-Nominated Third Season of the Hit Series.
Recording
Studio Showcase: The Record House
Following years working at Interscope Records’ studio, Mert Ozcan went on to co-found The Record House. Now armed with a brand-new Dolby Atmos mix room outfitted by studio acoustics designer DHDI, the boutique studio has become a creative collective...
Post and Broadcast
Inside Upmixing Midsommar to Atmos
Sound editor and sound designer Ruy Garcia elected to use Nugen Audio’s Halo Upmix to upmix Midsommar and Wendy.
Post and Broadcast
Lectrosonics Captures El Camino
"El Camino: A Breaking Bad Movie" recently premiered globally on Netflix.
Post and Broadcast
Marks Talks Challenges Mixing Kevin Hart Special
Keeping Netflix audio specs in mind was only one of the challenges facing mixer Tom Marks.
Post and Broadcast
Pros on Prepping Films for the Home Environment
By Steve Harvey. Pros from Netflix, Sony Pictures, JBL and more share their knowledge and views on translating theatrical film soundtracks for home listening environments.
Recording
Miking the Improvs of Netflix’s Paddleton
Improvisations by Ray Romano and Mark Duplass captured with DPA and Wisycom.
Post and Broadcast
Netflix Unveils Audio Streaming Improvements
By Steve Harvey. The streaming provider takes its audio offerings to the next level.
Broadcast
Marcelo Cyro uses Nugen Audio and Dolby Atmos to mix Netflix ‘Super Drags’
Netflix's Super Drags is reportedly the first show in South America to use Dolby Atmos, and Marcelo Cyro turned to Nugen Audio's Nugen Post bundle to control the consistency of the mix
Post and Broadcast
Nugen Audio Streamlines Dolby Atmos Mix for Marcelo Cyro
By Steve Harvey. Cyro used Nugen Post to control the consistency of the mix of Netflix’s 'Super Drags,' reportedly the first show in South America to use Dolby Atmos.
Gear and Technology
Nugen To Get Netflix-Ready at NAB
Loudness Toolkit and Halo Downmix software get new updates.
News
PMC2018 Explores Getting Paid, Artificial Intelligence
By Steve Harvey. PMC2018 addressed a broad swath of issues related to production music, focusing not only on business issues, such as best practices for securing placements and, equally importantly, getting paid, but also how to maximize composition and...
Post and Broadcast
Mixing Netflix’s ‘The Haunting of Hill House’
Jonathan Wales created a Dolby Atmos upmix for the hit horror series.
Close