Storage and information management services company Iron Mountain has acquired the Bonded Services group (Bonded) for about $77 million , expanding its capabilities for sound, art and film asset management.
With a vast catalog of albums already in hand and having achieved the commercial success that most bands can only dream of, Styx could have called it a day decades ago with classic albums like The Grand Illusion and...
Niv Adiri, sound designer and re-recording mixer on “Gravity” and other films, has been using Nugen Audio’s Halo Upmix to create surround 5.1 versions of the music and sound effects on numerous cinema projects.
When Fred Archambault, music mixer for Last Call with Carson Daly, heads out to a gig to capture a live performance for NBC’s long-running late-night show, he’s armed with two JoeCo Blackbox BBR1-MP recorders.
High schoolers in New York are learning music production and post production thanks to a new regional career-training program. The Southern Westchester BOCES (Board of Cooperative Educational Services) audio and post production program is the only such program in...
Bonnie Silver, president of Tru-Gems Music Group, is working with United Recording's new archiving division to transfer a multitude of analog tape masters produced and recorded at the studio by her father, Lee Silver.
The Record Plant Remote (RPR) location recording truck has preserved hundreds of important events over the years; recently, recording engineer Kooster McAllister used TASCAM's 48-track X-48 and, 64-track DA-6400 multitrack hard disk recorders to record last year’s edition of...
Bruce Wawrzyniak, who advises up-and-coming entertainers on the business side of their art through his free weekly Now Hear This Entertainment podcast, has upgraded his setup with Tascam's MiNiStudio Creator US-42.
Emmy Award-winning production sound mixer Simon Farmer used a Sound Devices 442 mixer and 744T recorder for his work on the British drama series, The Enfield Haunting, which earned him and the sound team a 2016 BAFTA Television Craft...
Production sound mixer David Husby upgraded to the Sound Devices 688 mixer/recorder and CL-12 linear fader controller in time to work on The Solutrean, shot almost exclusively in the Canadian wilderness.
Jesse Parker, a production sound mixer from Los Angeles-based location and post-production audio company ToneMesa, Inc., was on board with equipment from DPA Microphones, Sound Devices and Wisycom when production on the upcoming action thriller Altitude took flight.
Abbey Road mastering engineer Sean Magee recently worked on the 40th anniversary deluxe edition of the first album by the Ramones, with the active participation of Craig Leon, the album’s original producer.
Production sound mixer Jamie Gambell, first introduced to Sound Devices in 2004, now uses a 688 as his main recorder with the SL-6 powering and wireless system, and CL-12 Alaia linear fader controller, with a 788T as his backup.
The next installment of the collaborative Sound Summit series between DPA Microphones, Lectrosonics, Sound Devices, and K-Tek,will take place Tuesday, July 19, 2016 at The Church on the Queensway in Toronto.
Sound Devices will showcase its 688 12-input, 16-track portable mixer/recorder with a pair of new accessories at the NAB Show: the optional SL-6 powering and wireless system and the CL-12 linear fader controller.