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While year-end tallies of 2019’s top-grossing tours weren’t yet available as we went to press, there’s little question that this year will be remembered as one of the biggest ones ever for the concert industry.
d&b audiotechnik Soundscape was utilized by XL Mediaworks for a new sound system at Anderson Mill Road Baptist Church in Spartanburg, SC.
Speaker manufacturer unveils its Eminence Tour Grade Loudspeaker family with the introduction of three models.
FOH engineer Abel Ocasio recently mixed pop act ARIZONA on a Bose ShowMatch Line Array.
The new PK Sound Kontrol software upgrade includes an updated user interface, along with an increased compatibility with installation and manual products
By Clive Young. As always, sound reinforcement is an integral part of this year's AES Convention.
By Strother Bullins. The controversial Grammy-winning rock band from Sweden, Ghost, just wrapped up the U.S. leg of its A Pale Tour Named Death; PSN caught up with the band’s FOH engineer, Dave Nutbrown, to find out how he...
By Clive Young. The 5,500-capacity outdoor venue in NYC is often overlooked, but it hosts 190,000 people every year for 50-plus productions, plus ABC’s televised Good Morning America summer concert series. Now it’s getting a $5 million refurbishment that...
By Anthony Savona. The AES Convention provides a great opportunity to learn more (or everything) about audio networking.
Get to know Darrell Vasquez, business development executive for North America at Celestion.
By Clive Young. The sound reinforcement business has been going full steam ahead this year.
AES has lots of live sound offerings in store for this year's convention in New York City.
Indonesian live production services company Gamung Productions upgrades its inventory with JBL Professional speakers, Crown amplifiers and Soundcraft consoles.
By Clive Young. “As a technology-driven company, we are always experimenting with better ways to solve sound reinforcement challenges," says Siegel.
By Al Fernald. Choir microphones don’t automatically grab your attention—if anything, they’re meant to blend into the scenery—but they’re crucial for bringing a group of voices to worshipers, whether via the house PA system, recordings or broadcasts.
By Clive Young. What this year’s NAMM Show—and indeed, last year’s AES and InfoComm trade shows, too—proved is that the pro audio industry is once again confident and moving forward.
By Steve Harvey. Digital equipment, wireless mics and system upgrades expected to help drive market.
This time of year used to mean that things slowed down in the live sound sector—but the operative words there are “used to.”
