Post and Broadcast
Reflecting on The Mandalorian’s Reflections
Disney's The Mandalorian shoots within a circle of 20-foot-high video screens that surround actors in realistic panoramic environments—but also considerable vocal reflections.
Star Wars
Post and Broadcast
Ken Nightingall, Star Wars Boom Operator, Dead at 92
A veteran film recordist, Nightingall became an unlikely cult figure among Star Wars fans due to his sartorial choices on the set of the first film.
Post and Broadcast
Tom Kobayashi, Skywalker Sound / ISDN Pioneer, Dead at 91
Tom Kobayashi built and ran George Lucas’ Skywalker Sound before pioneering the use of ISDN and fiber optic networks for audio work.
Post and Broadcast
Oscar-Winning Sound Mixer Stuart Wilson Talks Pre-‘1917’ Career
Stuart Wilson, the Oscar and BAFTA winning sound mixer for 1917 discusses his early love of sound and working on some of the world's best-known films.
Post and Broadcast
Pinewood Studios Closes Sound Department
Pinewood Studios, the legendary UK-based film production studio facility located outside London, has announced that it is closing its sound department.
Studio
‘Sound was my first love’: Chatting to award-winning 1917 sound mixer Stuart Wilson
The Oscar and BAFTA winning sound mixer for 1917 talks his early love of sound and working on the world's best known films
Live
Colorado Symphony takes Star Wars film score to the next level with L-ISA
Clearwing Productions, the first North American company to utilise the system, deployed L-ISA for the special event
Live
Inside the Colorado Symphony’s Immersive Star Wars Show
Hyperspace got “hyperreal” when Clearwing Productions deployed L-Acoustics’ L-ISA for a live orchestral accompaniment to The Empire Strikes Back.
Business
Powersoft’s M-Force: “A great disturbance”
Jon Chapple finds out how Powersoft is gaining traction throughout the pro-audio galaxy with its ‘paradigm-shifting’ M-Force transducer technology
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