AES Returns to Its Roots
Craig Anderton looks at the changing trends of the annual AES Convention.
Update your browser to view this website correctly. Update my browser now
Craig Anderton looks at the changing trends of the annual AES Convention.
By Alvin Fernald. Supersphere, an entertainment production company that specializes in immersive and interactive live broadcast events, recently teamed up with mobile production specialist TNDV to create the Audiophile Series, a set of live concerts presented in VR with...
The 12-tone Mother Chord is at the heart of a new approach to modal sound effects in VR.
All-day exhibition and conference returns to Sony Picture Studios on Sept. 28, 2019.
Sennheiser bolsters its AMBEO efforts with the purchase of VR/AR audio software company Dear Reality.
Fans around the world will be able to watch performances live in VR via the new MelodyVR mobile app on their smartphones
By Steve Harvey. By mid-2018, some pundits were ready to write off virtual reality as headset sales took a downward turn in only their second year of commercial availability. Now, after a sharp uptick in sales at the end...
Sayed is a recognised thought leader in the media, technology and digital content space with over 20 years of executive experience, previously serving as head of Nokia's virtual reality business unit
VR, immersive audio and more are on the educational agenda at AES.
Audio recorder’s 4-capsule Ambisonic mic captures four channels of 360-degree audio up to 24-bit/96 kHz.
Conference to bring together leading lights of audio for virtual and augmented reality.
The video game music/sound design conference returns October 9/10, 2018 to Los Angeles.
Immersing oneself in a world of music is no longer simply a figure of speech, as Erica Basnicki finds out...
By Steve Harvey. The annual gathering of the VR production world returned to L.A. with eyes and ears wide open.
Dolby Atmos is leading a revolution in terms of the way sound is received and the way it enhances the visual. Raja Sehgal, director of sound engineering and Dolby Atmos specialist at London’s Grand Central Recording Studios, talks to...
By Steve Harvey. Lively Group has founded a new sound division, Decibel, dedicated to providing post for every audio deliverable an ad campaign needs, from Snapchat and Instagram teases to traditional 60-second TV spots.
London’s Grand Central Recording Studios has built Audio Lab 2, a new studio for Dolby Atmos Theatrical and third-order Ambisonics immersive audio sound design and mixing.
Immersive audio company Auro Technologies has delved into VR gaming with the release of Sparc on Playstation VR, developed by CCP Games. Sparc is a original sport where players’ VR hardware serves as their equipment, enabling them to express...
Custom solution keeps Derren Brown’s Ghost Train on track after upgrade
The old pipedream of believable 3D sound is finally becoming real. Well, virtually…
It will cover recording on-location g and 3D sound design in post-production, to audio mixing for 360° video and WebVR
Described by the company as the “ultimate Virtual Reality recording package”